Eiko notes in the following interview, “I am using my body as a constant.”

From our partners at Art Practical, today we bring you Genevieve Quick’s most recent “Locating Technology” column, a consideration of artist Stephanie Syjuco’s process and practice: “[Syjuco] prompts viewers to consider more broadly the legality and ethics of museums’ collections, and suggests that museums are institutions of cultural appropriation.” This article was originally published on October 27, 2015. Much of the history of museum collections is related to[…..]

Today from our archives we bring you Elspeth Walker’s refreshingly blunt interview with painter Judith Bernstein. As we begin the new year and consider our plans for the next twelve months, it’s important to recall Bernstein’s philosophy: “[I]t’s important to be true to what you want to say and how you want to handle that. You have to keep moving forward. You can’t just stay where[…..]

Here at Daily Serving, we keep an eye on the ways an exhibition’s impact changes depending on geographical location. With a recent editorial on what 30 Americans means in Detroit and December’s protest of omitting artists of color in Art AIDS America at the Tacoma Art Museum in mind, today we bring you Anuradha Vikram’s observations on shifting context, intended audiences, and racialized access to and[…..]

From our friends at REORIENT, today we bring you “Vicious Circles.” In this piece, author Samannaz Kourang Pishdadi talks with Moroccan artist Mounir Fatmi about growing up in Tangier, the inspiration of the Beat movement, and his interdisciplinary career. Fatmi says of his work, “At the beginning, I think I was very naïve thinking my work could change things. Eventually, I realised that the most important [thing][…..]

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Elena Harvey Collins reviews Yo-Yos & Half Squares: Contemporary California Quilts at the Oakland Museum of California in Oakland. On view at the Oakland Museum of[…..]

From our friends at Kadist Art Foundation in Paris, today we bring you a video of Clare Molloy in conversation with Nigerian artist Otobong Nkanga. They discuss Nkanga’s exhibition Comot Your Eyes Make I Borrow You Mine, which was on view from September 27 through December 20, 2015. Nkanga says, explaining the title, “In a way, traveling and going through all these places, I had only the eyes of others.”