admin

From this Author

Metahaven: The Sprawl at the Yerba Buena Center for the Arts

Metahaven. The Sprawl (still), 2015. Co-produced by Lighthouse and commissioned by Lighthouse and the Space.

Today from our partners at Art Practical, we bring you Anton Stuebner’s review of Metahaven: The Sprawl at the Yerba Buena Center for the Arts. The author notes, “[…] Metahaven poetically suggests that trauma’s real origins aren’t found in the images on screen—they’re located within ourselves and in our inherent capacity for perpetuating violence in the world around us.” This article was originally published on February 2, 2016. A[…..]

Lewd at JOY Gallery

Alaina Varrone. Untitled, 2010; embroidery; 9 x 5 in. Courtesy of the Artist and JOY Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ariel Zaccheo reviews Lewd at JOY Gallery in San Francisco. Like the best hedonistic pleasure palaces, JOY Gallery is a bit off the beaten path. Located in San Francisco’s[…..]

Michael Barron Interviews Camille Henrot

Camille Henrot. Bad Dad & Beyond, 2015; three dimensional resin print with video and telephone components; 44 x 20 x 9 inches. Courtesy of the Artist and Metro Pictures, New York.

From our friends at BOMB Magazine, today we bring you a conversation between Michael Barron and artist Camille Henrot. Discussing her recent solo show at Metro Pictures, Henrot says, “Bad Dad & Beyond is an investigation into a figure who uses his authority in violent ways. I was also interested in assembling the rules and values of various authority figures, not just for fathers.” This article was[…..]

UNEARTHED: Found + Made at Oakland Museum of California

Installation view, UNEARTHED: Found + Made, 2015-2016. Courtesy of the Oakland Museum of California. Photo: Johnna Arnold.

Today from our partners at Art Practical, we bring you Vivian Sming’s review of UNEARTHED: Found + Made at Oakland Museum of California. The author notes, “[The] democratic approach of placing contemporary art and local clubs side by side compresses and erases hierarchies, providing a slice of history, place, and time.” This article was originally published on January 26, 2016. In the late 19th century, anthropologist Franz Boas[…..]

From the Archives – Women’s Work at Smith College Museum of Art

Carolee Schneeman. Eye Body #1, 1963–79; gelatin-silver print with hand coloring and scratching; 14 in x 11 1/2 in. Courtesy of Smith College Art Museum, purchased with the Judith Plesser Targan, class of 1953, Fund.

We were delighted to see art-world activists the Guerrilla Girls on the Late Show with Stephen Colbert to promote their exhibition at the Walker, which opened last week (on view until December 31, 2016). To round out the historical context of second-wave feminism from which the Guerrilla Girls emerged, today we bring you Lia Wilson’s review of Women’s Work: Feminist Art From the Collection at[…..]

Bringing Art Into Being: Drawing Redefined at deCordova

Installation view, ‘Drawing Redefined: Roni Horn, Esther Kläs, Joëlle Tuerlinckx, Richard Tuttle, and Jorinde Voigt,’ deCordova Sculpture Park and Museum, Lincoln, MA, Photograph by Clements Photography and Design, Boston.

From our friends at Big Red & Shiny in Massachusetts, today we bring you a review of the exhibition Drawing Redefined at deCordova Museum. Author Shana Dumont Garr says of the exhibition, “The works by these five artists were arranged to consider an expanded definition of drawing engaging process, materials, and time. This premise arms viewers with a consistent framework to engage with the work,[…..]

From the Archives – The Anti-Spectacle Generation

Leslie Hewitt, "Make it Plain, (2 of 5)", 2006.

Today, in honor of Dr. Martin Luther King Jr., we bring you Catherine Wagley’s review of the exhibition After 1968: Contemporary Artists and the Civil Rights Legacy. Following the author’s analysis of generational differences in attitudes towards protesting, it’s clear that although the featured artists came of age in a world devoid of Dr. King, the impact of his life’s work nonetheless resounded powerfully. This article[…..]