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Summer Session – Syllabus: Black Lives (Don’t) Matter

Left: WWI propoganda poster. Right: LeBron James and Gisele Bundchen on the April 2008 cover of Vogue Magazine.

In addition to examining pedagogy and learning in the arts as part of this Summer Session’s topic of Back to School, we are excited to provide resources for both teachers and students alike that could inform and enrich their art and pedagogical practices. Today we bring you a syllabus by scholar M. Shadee Malaklou from her Jesus Fucking Christ Blog. An assistant professor and Mellon Faculty Fellow[…..]

Summer Session – Sole Student in USC Roski School’s Struggling MFA Program Drops Out

University of Southern California's Roski School campus.

Today for this Summer Session’s topic Back to School we bring you an article from our friends at artnet News, where Brian Boucher reports on USC Roski School’s dwindling admissions. With the notoriously high tuition of MFA programs and their insecure guarantee of success in the art world, the accusations of mismanagement levied against the Roski School by its sole MFA student highlight the political and[…..]

Summer Session: How We Read: Close, Hyper, Machine—Part 1

Catherine Wagner. Beloved, Toni Morrison from the series trans/literate, 2011; archival pigment print with braille; edition of five; 21.75 in. x 49.13 in. diptych. Courtesy of the Artist and Stephen Wirtz Gallery, San Francisco.

As part of our Back to School Summer Session we are exploring pedagogy and the state of learning in the arts. Today we bring you an article from our sister publication Art Practical by cultural scholar and author of How We Became Posthuman N. Katherine Hayles. Considering national studies observing a decline in general reading abilities across the United States, Hayles differentiates between key reading techniques employed by print versus digital texts.[…..]

Summer Session – Help Desk: Group Crit

Beatriz Milhazes. Sinfonia Nordestina, 2008; Acrylic on canvas, 96 7/8 X 144 7/8 inches

This Summer Session we’re going Back to School, and today we bring you a question from our arts-advice column Help Desk about how to get the most out of an MFA program. Group crits can be the most nerve-wracking and rewarding aspects of an MFA, and here Bean Gilsdorf, Whitney Lynn, and Rhonda Holberton weigh in on the best ways to make sure yours are both[…..]

Summer Session – I Reviewed Art Grants for 3 Days & Here’s What I Learned

Nick Cave. Heard, 2015 (performance still); Detroit, MI. Courtesy of the Artist and ArtNews.

This Summer Session we’re going Back to School, focusing on the intersections of artistic practice, education, and the roles of various institutions. Today we bring you an excerpt from an article by Sarah Brin, who volunteered with the California Arts Council to review art grant proposals. Brin offers some advice and general findings based on her experience to help future artists find success when they[…..]

Summer Session – Everybody Needs Wiggle Room

David Robbins giving everyone permission for Wiggle Room.

This Summer Session we’re going Back to School, and today we bring you a piece from our friends at Brooklyn Rail by interdisciplinary artist and author David Robbins, who is known especially for his “retirement” from contemporary art and his transition to “independent imagination.“ Framing the idea of “wiggle room” as a literal room, Robbins encourages artists to take the space that they need in order[…..]

Summer Session – Resolutions: Task Force on the Use of Human and Animal Subjects in Art

Art Orienté objet. Que le cheval vive en moi (May the Horse Live in Me), 2011 (performance still); performed at Kapelica Gallery, Ljubljana, Slovenia.

Our final Summer Session is going Back to School, and in addition to exploring pedagogy and education in the arts, we are also providing resources for art practices and education within institutional forms. Today we bring you a resolution passed by the College Art Association on the use of human and animal subjects in art, which outlines the association’s findings on using living subjects within an artistic[…..]