Today’s article is brought to you from our friends at the Huffington Post, written by James Scarborough. Literature supplies the concept of an unreliable narrator, whose credibility one questions or otherwise doubts in the telling of a particular story. The Orange County Museum of Art‘s 2010 California Biennial, curated by Sarah C. Bancroft, suggests that the concept can be applied to art museums as well:[…..]
Today’s article is from our friends at Art Practical, where Michele Carlson discusses the spectator and visual language in Audience as Subject, Part I: Medium at Yerba Buena Center for the Arts. Audience as Subject, Part I: Medium, the first of a two-part exhibition at Yerba Buena Center for the Arts, brings together a group of artists whose work complicates and calls out the participatory[…..]
Happy Thanksgiving from everyone at DailyServing!!! We hope you go big this holiday season… real big. Enjoy!
Today’s article is from our friends at Art Practical, where Renny Pritikin discusses the exhibition, Hauntology, at the Berkeley Art Museum. Hauntology, co-curated by Larry Rinder and Scott Hewicker, at the UC Berkeley Art Museum, posits that the past inhabits the present in the same way that an individual’s past shapes how he perceives and acts in the present. By extension, art history and contemporary[…..]
Today’s article is from our friends at KQED arts in San Francisco, where Danielle Sommer discusses R. H. Quaytman’s new work at the San Francisco Museum of Modern Art. In the 1950s, San Francisco poet Jack Spicer wrote that he considered a collection of poems to be a community meant to “echo and re-echo against each other.” A quick look at R.H. Quaytman’s new installation,[…..]
Today, From the DS Archives brings you the work of Berlin-based artist Nathalie Djurberg. Nathalie’s work, which features motion animation, installation, sculpture and drawing, will be featured in the upcoming exhibition Stop. Move. at Blum and Poe opening Saturday November 6th. Stay tuned for coverage of that exhibition which includes the work of Djurberg, Hirsch Perlman, Robin Rhode and Matt Saunders. This article was originally[…..]
Today’s article is from our friends at Art Practical, where Mary Anne Kluth discusses a sculptural presentation of C-prints by Mariah Robertson at the NOMA Gallery in San Francisco. Mariah Robertson’s C-prints at NOMA Gallery are tactile, warped celebrations of the physical process of color photography rooted in the medium’s tradition of experimentation. Manipulating the fundamental interactions of light, paper, and dyes through the exposure[…..]
