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Bruce Nauman: Past and Present

Today from the DS Archives we’re going way way back to the long lost time of 2008 to bring you three instances of Bruce Nauman. The two contemporary examples are his current exhibition at Hauser and Wirth in London, and his inclusion in the all-star group exhibition “Silence” at the Berkeley Art Museum (BAM). The following article was originally published on June 25, 2008 by Catherine Wagley:[…..]

Too Hard to Keep

Today’s feature is from our  good friends at KQED Arts in San Francisco. Writer Roula Seikaly discusses Too Hard to Keep, a new project by Chicago-based photographer, Jason Lazarus, currently on view at SF Camerawork. One of the less understood figures in Christian folklore is the sin eater. This person, usually a beggar, was charged with absolving someone of their sins by consuming food and drink that[…..]

Doug Aitken: 100 YRS

Central to Doug Aitken’s “100 YRS” exhibition at 303 Gallery is a new “Sonic Fountain,” in which water drips from 5 rods suspended from the ceiling, falling into a concrete crater dug out of the gallery floor. The flow of water itself is controlled so as to create specific rhythmic patterns that will morph, collapse and overlap in shifting combinations of speed and volume, lending the physical phenomenon the[…..]

Positions in Norwegian video art 1980–2010 & the Cinema of Transgression

The development of video and cinema in the last century changed both the art world and popular culture forever. In recent years, cult and niche movements have been working to subvert the easily digestible main stream genres and create something more engaging. Today from the DS Archives we highlight last year’s exhibition You Killed Me First!: The Cinema of Transgression at Kunst-Werke and the forthcoming exhibition, Positions[…..]

Behind the Scenes

As part of our ongoing partnership with Beautiful/Decay, today we bring you photographs by Vienna-based artist Klaus Pichler. Like many of us photographer Pichler wondered what happened at museums after hours. However Pichler took the next step and contacted his local natural history museum to see if he could poke around after hours and document his findings. The result of Pichler’s curiousity is a multi-year project titled “Skeletons In The[…..]

Letters to the Editor
Where Images Fail: Newtown Connecticut

A few weeks ago, Chicago-based contributor, Randal Miller, addressed the role of images in relation to national tragedy — arguing that the images of horror and loss perpetuated by the media do little to incite lasting change — in a piece for DailyServing entitled Where Images Fail: Newtown Connecticut. Today we are sharing some responses that came through our media partner, Art Practical, who republished the[…..]

The XEROX BOOK

In December of 1968, Seth Siegelaub and Jack Wendler published The XEROX BOOK, an exhibition produced entirely in book form. The project included seven contributing conceptual artists: Carl Andre, Robert Barry, Joseph Kosuth, Sol LeWitt, Douglas Huebler, Robert Morris and Lawrence Weiner. The Kadist Art Foundation in San Francisco recently spoke to Jack Wendler about The XEROX BOOK offering a unique glimpse into the history[…..]