Bean Gilsdorf

From this Author

Help Desk: Publishing and Reproducing

Nate Lowman, Loser, 2009. Alkyd on canvas, 101.6 x 76.2 cm.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. I have created a book about mail art, done over a 30-year span, which served as a communication between another artist and myself. Besides containing a lot of[…..]

Help Desk: Is It Any Wonder?

On the left, Kinkade's "Cobblestone Bridge" and on the right, Hirst's "Methoxyverapamil" (1991). Actually, I think they look kind of good together! (images: guardian.co.uk, respectively)

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. How do you become a famous artist? I am an artist and make lots of art (performance, paintings, drawings, etc.) but I never went to art school. What should I do[…..]

Help Desk: Visual Recognition

bild_08_sigmar_polke_ohne_titel_1973

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. I’ve noticed a trend of not putting any information about the artist, including labels, on the wall. I get that the idea is to make the viewer just[…..]

Landscape Update

curtain_call

As part of our ongoing partnership with Art Practical, Daily Serving is sharing Bean Gilsdorf’s article on Alice Shaw’s Landscape Update, at Gallery 16 in San Francisco. The profusion of works and materials in Alice Shaw’s Landscape Update at Gallery 16 leaves viewers with the impression of a frenzy. The twenty-six works on view are made from an exhaustive array of media: paintings of oil and[…..]

Help Desk: Location, Location, Location

conceptually-driven

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. This week’s column is dedicated to two related questions that I received within hours of each other but from different parts of the country: I’ve been painting diligently for 12 years, yet I live[…..]

Help Desk: Hell is Other People

most-expensive-shoes

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. What is the proper payment scheme for commissioned art? Also, what is the proper way to formalize the deal on payment? Finally what’s the allowable time table for[…..]

Living at the Movies: Interview with Lukasz Jastrubczak

The-End-21

I was originally scheduled to interview Lukasz Jastrubczak in Poland last summer, but as I researched his background and projects I discovered that he was going to be in San Francisco in the fall on a residency at the Headlands Center for the Arts. Jastrubczak is a thoughtful artist, working his way through multiple concepts at once to make art that is both complex and[…..]