Bean Gilsdorf

From this Author

Help Desk: Gallery Contract

Birgit Jürgenssen, “Untitled,” 1978-1979. SX-70 Polaroid. Unframed: 10.5 x 8.7 cm / 4 1/8 x 3 3/8 ins, Framed: 34 x 29 cm / 13 3/8 x 11 3/8 ins. © The Estate of Birgit Jürgenssen. Courtesy Alison Jacques Gallery, London.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I was invited to be in a group show outside of my home state. I don’t know the owner (who found my work online) and I’d never heard of the gallery before, but it[…..]

Help Desk: Art Consultant

R. H. Quaytman, Passing Through The Opposite of What It Approaches, Chapter 25, 2012. Tempera and silkscreen inks, gesso on wood

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I want to know more about standards for art consultant/artist relationships that develop without a gallery being involved. I tried to look it up online and everything, of course, was all over the place[…..]

Speaking Directly: Interview with Tony Discenza

Tony Discenza, TRANSPORTED, 2010.  Vinyl on aluminum, 30 x 24 inches

Tony Discenza’s text-based work is concise yet absurd: the tone is often matter-of-fact while the content is speculative and fanciful. The appropriated formats of a street sign or a book’s teaser page provide an internal logic that holds the tension of this paradox quite neatly. Obviously, I’m a fan, so I asked him to chat with me about his recent projects. Discenza’s solo and collaborative[…..]

Help Desk: A Uniform Presentation

Paul Chan, Volumes - inncompleteset (detail), 2012. Each: oil on fabric, paper, and cardboard, dimensions variable

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. My question concerns the issue of a “signature style” and the importance of projecting an image of consistency (particularly on one’s personal website). I’ve done a lot of different things, and tend to work[…..]

Help Desk: To Print or Not to Print

Illuminated, 2012. Oil, oil stick, spray paint, and acrylic on panel, 96 x 96 inches

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. I am a painter with good gallery representation. There seems to be public interest in the work I make and I am sometimes asked about prints or reproductions. As a printmaker, I don’t like[…..]

Help Desk: Ready for Representation?

Monika Sosnowska, Stairway, 2010.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. When is an artist ready to approach galleries?  I’ve been exhibiting my art for about 5 years with a couple decent solo shows and a few big sales.  It’s not an extensive track record[…..]

Help Desk: Internship Woes

Yoyoi Kusama, Dots Obsession, 1999. Mixed media, Collection Les Abattoirs,Toulouse

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. In general, blog writing is a tricky area in terms of authorship. I wrote the blog for a gallery for over six months without having my name attached.[…..]