Alia Al-Sabi is a writer and curator. She recently earned an MA in Curatorial Practice from the California College of the Arts, where she focused her research on the politics of space and the intersection of art, architecture, and urban studies—an interest inspired by her background in architecture. Prior to moving to the Bay Area, Al-Sabi was based in the United Arab Emirates, where she worked at the Sharjah Art Foundation and Bidoun Magazine. She has previously contributed writings to Al Manakh: Gulf Continued, Canvas, and Bidoun.
Mythology, memory, and a fascination with the nocturnal are some of the underlying themes in Eva Voutsaki’s photographs. Originally from Drakona, a small village on the island of Crete in Greece, the artist documents and commemorates the unique way in which she understands her ongoing experience as a “modern immigrant.” Now living in Brighton, UK, Voutsaki grapples with notions of migration and belonging, and the[…..]
Darren Reid’s journey into his current painting practice could be described as fortuitous. Four years ago, the self-taught artist found himself in a sad predicament. He needed to either put his dog to sleep or commit to giving her a shot of insulin every eight hours. In choosing the latter, Reid found his life transformed into a restrictive cycle of caretaking that meant he was[…..]
Holiday in Hope is the name of the fictional fishing village created by Brooklyn-based, Canadian-born artist Karen Ostrom. Conceived in 2001 in the form of photographic tableaus, the village primarily exists through the depiction of various characters that inhabit it. Holiday in Hope is manifested in threads and series; it’s an implied space that harbors references to communities transformed by industrialization, the erosion of traditional[…..]
A computer programmer by day and an artist and musician by night, Jonas Holmer has created a body of work shaped by multiple frames of reference and methodologies. The Stockholm-based artist produces digital and installation works that explore the play between technology, music, and aesthetics. Holmer has an eye for creating illusions of depth. Endless Rainbows (2012) is one example of how the artist utilizes graphic and[…..]
For Eric G. C. Weets, size does matter. Since 2007 he has been creating sprawling canvases of intertwined line drawings in his studio in Pune, India, where the Belgian artist has lived for the past twenty-three years. In searching for a means to document human experience through form, Weets discovered in scale a conceptual and practical mechanism that served his desire for an expansive, albeit[…..]
Ashley Pastore has a thing for old science and life magazines. Poring over dated issues of National Geographic, Pastore has come to appreciate the visual aesthetic and color palette of print from the ’50s to ’80s, which she describes as being rich, deep, and full-bodied. After scouring Craigslist and rummaging through random thrift stores, the artist now has a sizable collection of vintage magazines that[…..]
For a year, Victor Solomon apprenticed with stained-glass masters who taught him everything he needed to know about this oft-forgotten craft. Solomon is not a stained-glass artist, and though he doesn’t particularly aspire to be one, an idea took a hold of him and compelled him to take up this traditional medium. Literally Balling is an ongoing project in which the San Francisco-based artist explores[…..]