Alia Al-Sabi is a writer and curator. She recently earned an MA in Curatorial Practice from the California College of the Arts, where she focused her research on the politics of space and the intersection of art, architecture, and urban studies—an interest inspired by her background in architecture. Prior to moving to the Bay Area, Al-Sabi was based in the United Arab Emirates, where she worked at the Sharjah Art Foundation and Bidoun Magazine. She has previously contributed writings to Al Manakh: Gulf Continued, Canvas, and Bidoun.
For Gala Knörr, the world of social media is a labyrinth of communication that never ceases to pique her curiosity. She finds inspiration in connecting with random strangers on Snapchat, an increasingly popular app that enables users to share photos, videos, or conversations through private and public messaging without leaving a permanent record. With its informality and speed of sharing, Snapchat has become a hotbed[…..]
With a background in architecture, it’s no surprise that Brooklyn-based artist Alexander Heffesse works so well with space. Heffesse engages with installation as a construction site, his point of departure being the idea of the construction worker as an artisan figure engaged in the act of creating. Noticing the proliferation of empty Gatorade bottles at construction sites, Heffesse drew a connection between social economics and[…..]
Rachel Granofsky’s approach to photography is akin to puzzle making, a balancing act between meticulously connecting individual parts while holding an unwavering attention to the whole. She creates her photographs at her Bushwick studio, which is set up as a miniature stage for building life-size installations. Granofsky constructs, frames, and captures; this labor-intensive process is her way of subverting the immediacy of digital photography. In[…..]
Jason Kearney’s collage Untoward (2015) juxtaposes one figure against another, creating an ambiguous relationship. A man sitting at the wheel of a car gazes through the windshield at a man on a fainting couch. The man at the wheel has a perplexed look on his face (viewers can see him reflected in the rear-view mirror)—or maybe he is simply squinting from the sunlight. Untoward is[…..]
At the heart of Ville Andersson’s art practice is his early childhood desire to become an art collector. For the Helsinki-based artist, his childhood was the primer for what would become an encyclopedic passion for art. In his hometown on the remote southern coast of Finland, in an art library compiled by his mother, an art teacher, Andersson discovered a realm of imagination far beyond[…..]
Taylor Baldwin’s multidisciplinary practice could be described as an experiment in material and historical mutation. Through a combination of sculptural installations, drawing, and video, the artist investigates the notion of the object as a site of transformation, altered by intangible elements such as the passage of time and death. Though his recent works have been mostly three-dimensional, Baldwin’s entry point into art began with drawing.[…..]
For Brooklyn-based artist Fanny Allié, the human figure is a source of intrigue. In thinking about the body and how it moves through and inhabits space, the artist explores what she describes as the “ephemeral existence” of the human experience. Whether migrants fleeing trauma or the homeless seeking shelter, the notion of bodies in flux forms the crux of Allié’s practice. Initially trained in photography[…..]