Today from our partners at Art Practical, we bring you Brian Karl’s review of Equations at Altman Siegel Gallery in San Francisco. The author notes, “Johanson eschews in this set of paintings the strategy of inserting text directly into the worlds he creates. The titles of the pieces do some of that work.” This article was originally published on November 30, 2015. In this exhibition of ten new works (all[…..]
What is a city? How can it be conceptualized? How does one create oneself within that geographic and symbolic space? These questions frame the most recent show at El Quinto Piso, La Polis Imagi-nada. The curatorial statement talks about the polis and civic participation in theoretical terms, but the exhibit situates these concepts firmly within the symbolic and geographic realities of Mexico City. El Quinto[…..]
“You need to understand, Patricia, that every Canadian recognizes these paintings,” so explained my friend and guide, a native Torontonian, as we walked through The Idea of North: The Paintings of Lawren Harris at the Hammer Museum. “Canadians who have no other art-historical point of reference know who the Group of Seven are.” This school of early 20th-century Canadian landscape painters occupies the periphery of[…..]
Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public—and today we’re celebrating our 100th installment! Submit your questions anonymously here. All submissions become the property of Daily Serving. The problem: sincere offers, from sweet, well-intended people, to show my work without compensation. The result: My polite refusal is taken as a slight and I’m sometimes thought of[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Alicia Guzmán reviews An Evening Redness in the West at the Museum of Contemporary Native Arts in Santa Fe, NM. When viewers enter An Evening[…..]
From our friends at Big Red & Shiny, today we present a review of Nicole Cherubini’s exhibition Golden Specific. Author Zach Horn notes, “The sculptures in Golden Specific are emphatically contemporary but with significant history, like the punky offspring of a storied dynasty.” This article was originally published on November 23, 2015. Golden Specific, Nicole Cherubini’s exhibition at Samson Projects, is meditative. The gallery’s white box is punctuated[…..]
Shreveport is a border town at the crossroads of Arkansas, Louisiana, and Texas. The city is known for its musical history—the term “Elvis has left the building” was coined there. But Shreveport also suffers from crippling issues of injustice. Shreveport prosecutors use peremptory challenges to bar people of color from juries, and juries in Caddo Parish “now sentence more people to death per capita than[…..]
