It’s not too often that whatever MoMA-inspired freak-outs occurring in New York reverberate out to the West Coast. Recently, New Yorkers and Californians alike displayed the kind of commotion around procuring Kraftwerk tickets that a child normally reserves for their first trip to Disneyland. Rain Room and its hype, which had its moment at MoMA, has now also found its way to the West Coast,[…..]

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Tanya Gayer reviews Bechdel Test Movie Night: Foxy Brown  at New Parkway Theater in Oakland. Foxy Brown (1974) is widely described as a blaxploitation film—a genre that[…..]

Today from our friends at Kadist, we present a video interview with Adriana Lara. In it, Michele Fiedler talks with Lara about her relationship to the readymade, the exhibition, and the wearable. This video was originally published October 6, 2015.

For Eric G. C. Weets, size does matter. Since 2007 he has been creating sprawling canvases of intertwined line drawings in his studio in Pune, India, where the Belgian artist has lived for the past twenty-three years. In searching for a means to document human experience through form, Weets discovered in scale a conceptual and practical mechanism that served his desire for an expansive, albeit[…..]

Here at Daily Serving, we’re thankful for you—our fantastic community of writers, editors, and readers—and for the labor of arts workers around the world who enrich our lives every day. And while we celebrate, we’ll also be thinking of the arbitrariness of national borders, and of people who move toward a better life and are greeted with compassion and hospitality.

Today from our partners at Art Practical, we bring you In the Dressing Room with Coco Fusco by Patricia Maloney and Moira Roth. In it, Coco Fusco takes us behind the scenes of her performance as Dr. Zira, the animal psychologist from Planet of the Apes, at Yerba Buena’s Radical Presence exhibition. As she removes her monkey costume backstage, Fusco opens up about performance and uniforms, economic violence, and[…..]

Pope.L returns to Los Angeles, after his MOCA exhibition William Pope.L: Trinket this past summer, with a two-part, two-gallery, map-sprawling, time-spanning show—Desert at Steve Turner in Hollywood and Forest at Susanne Vielmetter Los Angeles Projects in Culver City—connected by a downloadable GPS driving tour. Samuel Beckett, whose influence appeared in Trinket, returns again in the GPS guide’s insistently jolted repetitive language, “this thing this thing this thing[…..]