February, 2013

Help Desk: A Uniform Presentation

Paul Chan, Volumes - inncompleteset (detail), 2012. Each: oil on fabric, paper, and cardboard, dimensions variable

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. My question concerns the issue of a “signature style” and the importance of projecting an image of consistency (particularly on one’s personal website). I’ve done a lot of different things, and tend to work[…..]

Positions in Norwegian video art 1980–2010 & the Cinema of Transgression

The development of video and cinema in the last century changed both the art world and popular culture forever. In recent years, cult and niche movements have been working to subvert the easily digestible main stream genres and create something more engaging. Today from the DS Archives we highlight last year’s exhibition You Killed Me First!: The Cinema of Transgression at Kunst-Werke and the forthcoming exhibition, Positions[…..]

Behind the Scenes

As part of our ongoing partnership with Beautiful/Decay, today we bring you photographs by Vienna-based artist Klaus Pichler. Like many of us photographer Pichler wondered what happened at museums after hours. However Pichler took the next step and contacted his local natural history museum to see if he could poke around after hours and document his findings. The result of Pichler’s curiousity is a multi-year project titled “Skeletons In The[…..]

Letters to the Editor
Where Images Fail: Newtown Connecticut

A few weeks ago, Chicago-based contributor, Randal Miller, addressed the role of images in relation to national tragedy — arguing that the images of horror and loss perpetuated by the media do little to incite lasting change — in a piece for DailyServing entitled Where Images Fail: Newtown Connecticut. Today we are sharing some responses that came through our media partner, Art Practical, who republished the[…..]