Today’s article is from our friends at Art Practical, where Michele Carlson discusses the spectator and visual language in Audience as Subject, Part I: Medium at Yerba Buena Center for the Arts. Audience as Subject, Part I: Medium, the first of a two-part exhibition at Yerba Buena Center for the Arts, brings together a group of artists whose work complicates and calls out the participatory[…..]

If video killed the radio star, the advent of the internet has certainly managed to tear the post to bits. In our pervasive, high speed, digital world there is an undeniable convenience in instant communication, but with this power comes a price – a price paid by the death of the handwritten letter and the sense of intimacy that accompanies it. Hidden within an abandoned[…..]

With a broad mix of photographs from both unknown shutterbugs and internationally recognized artists, Exposed: Voyeurism, Surveillance, and the Camera Since 1870 at SFMOMA examines the images of a culture existing in an uneasy relationship to the camera. The exhibition probes our social connection to surveillance, pornography, and physical and emotional violence. Last week, Daily Serving’s Bean Gilsdorf sat down with Senior Curator of Photography[…..]

Quite is a group show held in Kuala Lumpur, Malaysia with five Singaporean and three Malaysian artists. The artists are Angela Chong, Ezzam Rahman, Stellah Lim, Nur Ain, Ghazi Alqudcy, Aswad Ameir, Azharr Rudin and Tan Hui Koon. Aswad Ameir is a multi-disciplinary artist who works with painting, installations and objects. In Quite, Ameir built a white shrine in the style of an old wooden[…..]