Posts Tagged ‘textiles’

Evergreen, Searchlight, Rosebud at Jessica Silverman Gallery

Margo Wolowiec. Evergreen, Searchlight, Rosebud, 2017; installation view. Courtesy of the Artist and Jessica Silverman Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Becca Roy-O’Gorman reviews Evergreen, Searchlight, Rosebud at Jessica Silverman Gallery in San Francisco. Margo Wolowiec’s work intersects many planes: physical and virtual[…..]

Follicular: The Hair Stories of Sonya Clark at the Taubman Museum of Art

Sonya Clark. The Hair Craft Project: Hairstyles on Canvas, 2013; silk threads, beads, shells, and yarn on canvas; 29 x 29 inches. Courtesy of the Artist and the Taubman Museum of Art, Roanoke, VA.

Follicular: The Hair Stories of Sonya Clark at the Taubman Museum of Art highlights the historically rich and embodied power of Black hair, demonstrating that hair is a medium as well as a message.[1] For Clark, whose work holds a significant place in the burgeoning discourse of American contemporary craft, Black hair is an aesthetic language on par with the legacies of quilting and textile[…..]

Summer Session – Honor our Wrinkles: Fiber, Women, Dykes and Queers

L.J. Roberts. Daniel Rosza Lang/Levitsky Singing at the 2013 NYC Dyke March, 2013; single-strand embroidery on cotton; 4 x 8 in. Courtesy of the Artist.

Continuing our labor-themed Summer Session, today we bring you a thoughtful conversation between the artists L.J. Roberts and Sheila Pepe. Roberts asks, “What does it mean to have men who are making work that pertains to being a man—about men, male desire, and masculinity—appropriating traditional women’s work and theory that is grounded in feminism, without much accountability?” This interview was originally published on our sister site Art Practical on February 26,[…..]

Summer Session – Material Practices: Stitching, Fabric, and Textiles in the Work of Contemporary Chinese Artists

Lin Tianmiao, Badges, 2011-12, White silk, colored silk thread, painted stainless steel embroidery frame, sound component, Installation, dimensions variable. Individual diameters of 55, 80, 100, and 120 cm. Image courtesy the artist

Continuing our June Summer Session theme of labor, today we bring you this review that deals with gendered, often invisible labor. Author Luise Guest explores the work of several contemporary Chinese artists using embroidery in revolutionary ways. This article was originally published on January 10, 2014. Mao Zedong once said that revolution is not a dinner party. Less famously, he said it is not embroidery, either. Interestingly,[…..]

From the Archives – Weaving, Not Cloth: Mark Bradford at SFMOMA

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

We always like to see artist Mark Bradford’s name pop up in the press. Of course, there’s the fantastic news that Bradford will be representing the U.S. in this year’s Venice Biennale, in addition to last week’s cheekily delivered critique of art auctions (while onsite at Christie’s). Today, we’re republishing Bean Gilsdorf’s meditations on the tactility of Bradford’s work in relation to textiles. This article[…..]

From the Archives – Material Practices: Stitching, Fabric, and Textiles in the work of Contemporary Chinese Artists

Yin Xiuzhen, Portable City, Sydney, 2003       photo: Yin Xiuzhen         collection by Sherman Contemporary Art Foundation, image courtesy the artist

For Labor Day weekend, we bring you this piece from the archives that deals with gendered, often invisible labor—the kind not celebrated on national labor days. Luise Guest explores the work of several contemporary Chinese women artists using embroidery in revolutionary ways. This review was originally published on January 10, 2014. Mao Zedong once said that revolution is not a dinner party. Less famously, he said[…..]

Some Parallels in Textiles and Composition

Vox amp. Photo: Rebecca Gates

As the discipline of sound art develops and becomes more common, artists, including those working in textiles, are exploring ways to relate to and collaborate with sound.