Posts Tagged ‘Shotgun Reviews’

Rina Banerjee: Human Likeness at Hosfelt Gallery

Rina Banerjee. Heavens no place for girls, no sand, no flowers no count of curls no irons to flatten nor straighten or curl you coiled corns, your hair would not leave you naked as girls when all but one could leave open my calls to trumpet her thoughts, stainless steel bikini and sanding wheels for girls who will not open, 2016; blue silver leaf, acrylic, aluminum leaf, and ink on paper; 66 x 30 inches. Courtesy of Hosfelt Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maddie Klett reviews Rina Banerjee: Human Likeness at Hosfelt Gallery in San Francisco. Indian artist Rina Banerjee titles her bold paintings and[…..]

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum

From Generation to Generation: Inherited Memory and Contemporary Art, 2016; installation view, San Francisco, CA. Courtesy of the Contemporary Jewish Museum. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carlos Kong reviews From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum in San Francisco. Memories take[…..]

From the Archives — From Two Arises Three at the Asian Art Museum

Today we bring you Jing Cao’s Shotgun Review of From Two Arises Three, which featured the collaborative work of Arnold Chang and Michael Cherney. As the author describes, the artists crossed divides of medium, culture, and even time period as they redefined and reformed traditional Chinese landscape paintings in their own unique visual language. Sometimes, pausing to reflect upon moments of connection is worth the reminder[…..]

Ludovic Duchâteau: In Dreamland at A Stark Project

Ludovic Duchateau. In Dreamland, 2016; installation view, A Stark Project, Berkeley. Courtesy of the Artist and A Stark Project. Photo: Hillary Goidell.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noah Sudarsky reviews Ludovic Duchâteau: In Dreamland at A Stark Project in Berkeley. French sculptor Ludovic Duchâteau’s first solo show in the[…..]

John Buck at Robischon Gallery

John Buck. The Immigration, 2016; jelutong wood, acrylic paint, leather, motors; 114 x 268 x 168 in. Courtesy of Robischon Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Kate Nicholson reviews John Buck at Robischon Gallery in Denver. John Buck’s colossal kinetic sculptures draw passersby into Robischon Gallery, including families[…..]

Teiji Furuhashi: Lovers at the Museum of Modern Art

Teiji Furuhashi. Lovers, 1994; computer controlled, five-channel laser disc/sound installation with five projectors, two sound systems, two slide projectors, and slides (color, sound). Courtesy of the Museum of Modern Art. © 2016 Dumb Type.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Yuting Bai reviews Teiji Furuhashi: Lovers at the Museum of Modern Art in New York. Standing solemnly as an apocalyptic coda to[…..]

Hammer Projects: Simone Leigh

Simone Leigh. "Althea", 2016; Terra-cotta, India ink, porcelain, cobalt and epoxy. Courtesy of the Artist and the Hammer Museum. Photo: Brian Forrest.

Colony Little explores Simone Leigh’s first West Coast solo exhibition at the Hammer in Los Angeles.