Posts Tagged ‘San Francisco’

Gary Simmons: Recapturing Memories of the Black Ark at Southern Exposure

Gary Simmons. Recapturing Memories of the Black Ark, 2014; installation view, Southern Exposure, San Francisco, 2017. Courtesy of the Artist and Southern Exposure, San Francisco. Photo: Shahrzade Ehya.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows. A visitor attending the show during regular gallery hours on any given day will face a work of installation art: An impressive tower of speakers sits, along with a boxy old television, on a[…..]

En Plein Air: Music of Objective Romance at SFMOMA

Jacolby Satterwhite. En Plein Air: Music of Objective Romance at SFMOMA, 2017. Courtesy of SFMOMA. Photo: Charles Villyard.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Sofia Villena Araya reviews En Plein Air: Music of Objective Romance at SFMOMA. Jacolby Satterwhite, an African American artist well known for[…..]

Cynthia Daignault: The Pure Products of America Go Crazy at CAPITAL

Cynthia Daignault. 
Matrix, 2017 (detail); oil on linen; 11 x 12 in. Courtesy of the Artist and CAPITAL.

Cynthia Daignault is always confounding our ideas about the nature of painting—and asks if it has an essential nature at all. In her latest show, The Pure Products of America Go Crazy, at CAPITAL in San Francisco (a sort of return home for a prodigal daughter educated at Stanford), she has done it again. Daignault has placed seventy oil-on-linen paintings like dinner plates on six[…..]

Diane Arbus: In the Beginning at SFMOMA

Diane  Arbus. Female  impersonator  holding  long  gloves,  Hempstead,  L.I.,
1959. Courtesy  The Metropolitan  Museum  of Art. © The  Estate  of Diane  Arbus,  LLC.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Max Blue reviews Diane Arbus: In the Beginning at SFMOMA. Diane Arbus: In the Beginning is a meandering, somewhat maudlin journey through the[…..]

Lynn Hershman Leeson: Civic Radar at Yerba Buena Center for the Arts

Lynn Hershman Leeson, Seduction of a Cyborg, 1994, Video, color, sound, Run time: 7:17 min. Screenshot taken by the writer.

A confrontation greets us at Yerba Buena Center for the Arts’ current exhibition, Lynn Hershman Leeson: Civic Radar. Immediately upon entering the space, a perceptual split between the virtual and the real is presented by Hershman Leeson’s The Infinity Engine (2014–2017), a row of distorted mirrors that subsumes and reflects our own appearance, as well as a video installation projected on adjacent walls behind us. Through[…..]

Rina Banerjee: Human Likeness at Hosfelt Gallery

Rina Banerjee. Heavens no place for girls, no sand, no flowers no count of curls no irons to flatten nor straighten or curl you coiled corns, your hair would not leave you naked as girls when all but one could leave open my calls to trumpet her thoughts, stainless steel bikini and sanding wheels for girls who will not open, 2016; blue silver leaf, acrylic, aluminum leaf, and ink on paper; 66 x 30 inches. Courtesy of Hosfelt Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maddie Klett reviews Rina Banerjee: Human Likeness at Hosfelt Gallery in San Francisco. Indian artist Rina Banerjee titles her bold paintings and[…..]

Dread Scott: Past, Present & Future at Guerrero Gallery

Dread Scott. A Man Was Lynched by Police Yesterday, 2015; embroidered nylon; 84 x 52.5 in. Courtesy of the Artist and Guerrero Gallery, San Francisco.

Dread Scott has a long history of creating provocative works that address the hypocrisies and injustices within the United States. Unfortunately, his extremely sparse solo exhibition, Past, Present & Future at Guerrero Gallery, underwhelms. Spread between the main gallery and the project space, the show presents three very commanding works that span a thirteen-year period. Scott’s exhibition feels like a local display of highly publicized[…..]