Posts Tagged ‘narrative’

Spotlight: C&

Euridice Kala. A Conversation I, Entre-de-Lado, 2013. Courtesy of the Artist and C&.

This summer, Daily Serving is shining a light on some arts publications that we admire. Today’s interview from C& is with Mozambican artist Euridice Kala: “Art-making is difficult anywhere, and especially so on the African continent. My first instinct is to be an artist and to be as carefree as possible; however, when you are a young Black woman from Africa (excepting perhaps South Africa and Nigeria), it is really,[…..]

From the Archives – Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Anthony Discenza.

Fiamma Montezemolo’s The Secret just opened at Kadist SF, and Montezemolo’s solo show has us thinking about books, selves, and Borges. Just as Montezemolo deploys redaction of and extraction from Jorge Luis Borges’ short story “The Anthropologist” to draw us into The Secret, so did Anthony Discenza create what has been described as a Borgesian universe (that leads off with a quotation from Borges) of[…..]

Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Today from our partners at Art Practical, we bring you Maria Porges’ review of Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery in San Francisco. The author notes, “Achieving a successful understanding of the many layers [of the exhibition] yields a devious satisfaction.” This article was originally published on March 22, 2016. When or why does art become the idea of art:[…..]

The Heart Is a Lonely Hunter at Fraenkel Gallery

Bryson Rand, Mario & Danny (Los Angeles), 2015; Pigment print, edition of 5, 42 x 30 in. Courtesy of the artist and Fraenkel Gallery.

Today from our partners at Art Practical, we bring you Petra Bibeau’s review of The Heart Is a Lonely Hunter at Fraenkel Gallery in San Francisco. The author notes, “[the exhibition]succeeds due to the selected artists’ compulsive desire to create their own narration from a point of obsession with being rather than from a literal rendition of living.” This article was originally published on August 12, 2015. In[…..]

Evan Calder Williams: T-1 at Artists Space

Evan Calder Williams. T-1, 2015; performed at Artist Space on July 21, 2015.

Ice, compromised vision, and colonial geography: These formed the conceptual scaffolding that supported Evan Calder Williams’ live essay, T-1, performed at Artists Space on July 21, 2015.[1] Despite the three subjects’ ostensibly divergent histories, Calder Williams wove them into a complex web that expanded into several narratives that highlighted epiphanic and unexpected connections. The dynamic multimedia event—comprising video, text, and images projected on perpendicular screens,[…..]

Fan Mail: Carla Jay Harris

Carla Jay Harris. Teresa Cooper 1947, 2012; archival pigment print. 20 x 30 inches. Courtesy of the artist.

There is a profound stillness in Carla Jay Harris’ photographs—her framing and shooting style emits a pervasive calm that quiets the anxiety of her subject matter. Harris’ ability to create silence amid moments of emotional upheaval is eerie, tense, and evocative. Two bodies of work portray people and places in the midst of economic and cultural change; Dirt, Dust, Sand, Concrete (2012–2015) shows Smithfield, Virginia,[…..]

Wael Shawky: Cabaret Crusades at MoMA PS1

Wael Shawky. Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring marionettes from Cabaret Crusades: The Secrets of Karbala, 2015. Courtesy of MoMA PS1, New York, and Sfeir Semler Gallery, Beirut and Hamburg.

Wael Shawky’s gorgeous cinematography, sets, and marionettes fuse a child-like play with the horrors and complications of war and history.