Posts Tagged ‘museums’

Spotlight: Art Practical

A sign from the Women’s March on Washington in Washington D.C. on Saturday, January 21, 2017. Photo: Damon Dahlen, Huffington Post.

This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. We’re excited to partner with publications such as Reorient, ARTS.BLACK, Contemptorary, and others, and will highlight the work of a different site each week. To begin, we’re proud to shine our light on some recent work at our sister site, Art Practical. Today we bring you Ashley Stull Meyers’ essay “Signs[…..]

Spotlight: Art Practical

Ana Mendieta. Creek, 1974 (still); Super 8 film, silent.

This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. We’re excited to partner with publications such as Reorient, ARTS.BLACK, Contemptorary, and others, and will highlight the work of a different site each week. To begin, we’re proud to shine our light on some recent work at our sister site, Art Practical. Today we bring you Anne Lesley Selcer’s essay “What Imaginary[…..]

Japanese Photography from Postwar to Now at SFMOMA

Tsunehisa Kimura, Americanism, 1982; photomontage; 15 1/4 x 19 1/4 in. (38.74 x 48.9 cm); promised gift of a private collection to the San Francisco Museum of Modern Art; © Estate of Tsunehisa Kimura

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Max Blue assesses Japanese Photography from Postwar to Now at SFMOMA. When viewing any retrospective of work, patterns emerge. Visiting Japanese Photography from[…..]

#Hashtags: Dominion

Diana Thater. Life is a Time-Based Medium, 2015. Three video projectors, three lenses, player and Watchout system; dimensions variable. Installation view at Hauser & Wirth, London, 2015. ©Diana Thater; photo by Alex Delfanne, courtesy Hauser & Wirth.

#museums #empathy #posthuman #Anthropocene #environment Recent headlines demonstrate that human beings are consistently terrible to one another, and it can be tempting to reject the human altogether. Drained by a year of public and private deaths, numb with exhaustion after having a child and returning to work, I entered Diana Thater’s mid-career retrospective at LACMA and found that those worldly concerns quickly fell away. Thater’s[…..]

From the Archives – Help Desk: Friends in High(er) Places

Heidi Bucher. Untitled (Herrenzimmer), n.d.; Latex, cotton, approx. 102 1/4 × 71 × 7 1/2 ̋. Courtesy Freymond-Guth Fine Arts, Zürich.

Today from our archives we bring you an age-old question about how to respond to friends and acquaintances who ask for (un)professional favors. Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. This column was originally published on May 12, 2014. I work at[…..]

#Hashtags: Learn Where the Meat Comes From

Karen Kilimnik. The Hellfire Club episode of the Avengers, 1989. Fabric, photocopies, candelabra, toy swords, mirror, gilded frames, costume jewelry, boot,
fake cobwebs, silver tankard, audio media player, and dried pea. Dimensions variable. Whitney Museum of American Art, New York; Gift of Peter M. Brant, courtesy The Brant Foundation, 2014.106. Photo by the author.

#museums #access #collections #markets #historicity #gentrification With the arrival of the new Whitney Museum on Gansevoort Street, New York’s once notorious Meatpacking District completes lower Manhattan’s transition from a no-man’s-land populated by artists and outcasts to a stomping ground for fashionable elites. Befitting of an institution that represents the American art world—which has long positioned itself within both these groups, often simultaneously—the Whitney would seem[…..]

#Hashtags: The Business End of Art

Steve Lambert. Capitalism Works For Me! True/False, 2011.
9 ft x 20 ft x 7 ft.
Aluminum and electrical.

#artmarket #creativeeconomy #collectors #entrepreneur #philanthropy #support As in nearly every field of commerce, it seems that the tension between old and new models of the business of art is coming to a head. Traditional galleries see that their established methods of selling selectively and covertly to buyers of high social standing are under threat. Museums, which once were beneficiaries of philanthropic largesse from those same[…..]