Posts Tagged ‘gender’

Help Desk: The Penis Award

Nancy Spero. Picasso and Frederick's of Hollywood, 1990; handprinted collage on paper; two parts, each 17.25 x 109.625 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I am a midcareer (female) artist married to an established (male) artist. Throughout our relationship I have endured innumerable comments and actions that validate my husband and cast me into the[…..]

The Intersectional Self at the 8th Floor

Andrea Bowers. Throwing Bricks (Johanna Saavedra), 2016; archival pigment print, 77 1/2 x 57 in. Courtesy of the Artist and Andrew Kreps Gallery, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jasa McKenzie reviews The Intersectional Self at 8th Floor Gallery. As more feminist marches, protests, and gatherings organize in the wake of the[…..]

Interview with Wendy Red Star

Beatrice Red Star Fletcher and Wendy Red Star​. Apsáalooke Feminist #3, 2016. Press image. Courtesy of the Artist.​

Wendy Red Star produces photographs, textile-based works, and performances that situate her womanhood and Crow heritage as ontologically intertwined. Collaborating with fellow Indigenous artists, performers of other disciplines, and her daughter, Red Star documents her various achievements in the contemporary art world through strategies that have historical ties. Ashley Stull Meyers: You have roots in Montana and Colorado. What influenced you to settle in Portland, Oregon,[…..]

#Hashtags: Masculine-Feminine

Iggy Pop Life Class by Jeremy Deller. Organized by the Brooklyn Museum, February 21, 2016. © Brooklyn Museum. Photo: Elena Olivo.

In response to the Trump administration’s ongoing display of toxic masculinity at work, the Brooklyn Museum’s Elizabeth Sackler Center for Feminist Art has taken the unusual but vital step of incorporating a project about male identity into their “Year of Yes” thematic takeover of the museum. Iggy Pop Life Class by Jeremy Deller is an inquiry into the nature of manhood, corroborated with art-historical artifacts[…..]

From the Archives: Interview with Judith Bernstein

QUATTRO CUNTS 2015 Oil on Canvas 84 x 84 Inches

In our current age of doublespeak and “alternative facts,” Elspeth Walker’s candid interview with artist Judith Bernstein stands as a paragon of direct communication. As Bernstein says: “[I]t’s important to be true to what you want to say and how you want to handle that. You have to keep moving forward. You can’t just stay where you are. You really have to constantly keep moving in terms of[…..]

Pipilotti Rist: Pixel Forest at the New Museum

Pipilotti Rist. Mercy Garden, 2014; two-channel video and sound installation, color, with carpet; 10:30 min; dimensions variable. Sound by Heinz Rohrer. Courtesy of the Artist, Hauser & Wirth, Luhring Augustine, and New Museum. Photo: Maris Hutchinson / EPW Studio.

I admit that I’m late to discovering Swiss artist Pipilotti Rist. However, given that she has been producing work since the 1980s, and only in 2016 has received her first major retrospective in New York, Pixel Forest at the New Museum, I may not be the only one. The exhibition as a whole is an immersive environment, where one can easily and pleasurably lose time—an[…..]

Citizenship, the Body, and the Ethics of Exposure

Felix Gonzalez-Torres. "Untitled" (Portrait of Ross in L.A.), 1991; Candies individually wrapped in multicolored cellophane, endless supply; Overall dimensions vary; Installation view: More Love: Art, Politics and Sharing Since the 1990s. Ackland Art Museum, University of North Carolina, Chapel Hill. 1 Feb. - 31 Mar. 2013. Courtesy of Andrea Rosen Gallery, New York. © The Felix Gonzalez-Torres Foundation

From our sister publication, Art Practical, today we bring you Michelle Weidman’s piece from “Issue 8.1: Art + Citizenship.” Weidman excavates the ethics of exposure, and the violation and consumption of black bodies, brown bodies, women’s bodies. She asserts, “We live in a society that relishes exposure—see nude photo leaks; the Kardashians; interest in diaries and private correspondence cloaked with the pretense of literary or political[…..]