Posts Tagged ‘film’

Spotlight: ARTS.BLACK

FAKA (Thato and Desire), photo courtesy of Elle South Africa

This summer, Daily Serving is shining a light on some of the many arts publications that we admire, and this week we’re devoting our attention to ARTS.BLACK. Of today’s selection, co-editors Taylor Renee and Jessica Lynne write, “A beautiful, poetic, and intimate epistle dedicated to Marlon Riggs, this is a text that must be read over and over again.” Serubiri Moses’ letter was originally published on August 5,[…..]

Odd Jobs: Lenka Clayton

Lenka Clayton. Sculpture For The Blind, By The Blind, 2017; plaster, linen, wood, Braille sign, mounted digital photograph, portfolio of photographs. Courtesy of the artist. Photos: Carlos Avendano

Welcome back to Odd Jobs, where I interview artists about their varied and non-traditional career arcs. For this installment I spoke with Lenka Clayton, whose works include hand-numbering 7,000 stones, searching for all 613 people mentioned in a single edition of a German newspaper, and reconstituting a lost museum from a sketch on the back of an envelope. Her practice exaggerates and alters the accepted rules of[…..]

Cecilia Vicuña: About to Happen at Contemporary Arts Center New Orleans

Cecilia Vicuña. Precarios, 1966-2017; site-specific installation of 117 found object sculptures (stone shells, glass, wood, plastic, debris). Courtesy of the Artist and the Contemporary Arts Center New Orleans. Photo: Alex Marks

For the Chilean-born visual artist, poet, and filmmaker Cecilia Vicuña, the textual and the visual exist and function together in a familial relation, as if the making of objects and the shaping of words into images are knotted together like threads, binding and weaving themselves to form reified constellations that speak of the individual and collective simultaneously.[1] Vicuña’s work has a rich engagement with the[…..]

Derrick Adams: Network at CAAM

Derrick Adams. Fabrication Station #8, 2016; mixed fabric collage, aluminum hanging rods; 6 x 9 ft. Courtesy of the California African American Museum. Photo: Andy Romer.

Recently many have observed that current American film and television scenarios feel familiar, with offerings that appear diverse and multicultural, as they would have seemed in earlier decades. This is not to say that the struggles of marginalized communities have been overcome; just because a person is visible does not mean that person is liberated. However, media representations can illustrate experiences outside of dominant cultural[…..]

Ho Tzu Nyen

Today, from our friends at Kadist, we bring you a video interview with Singapore-based artist Ho Tzu Nyen. The artist speaks about their interest in transience, metamorphosis, migration, and the correlation between renaissance painting and their contemporary video work. He reflects on his interest in tracking clouds, stating “this, for me, is a way of tracking an art-historical motif which migrates from the East to the West or[…..]

Bruce Conner: It’s All True

Bruce Conner. UNTITLED, from MANDALA SERIES, 1965; felt-tip pen on paper; 10 x 10 in. Courtesy San Francisco Museum of Modern Art.

Among the works at the threshold of Bruce Conner: It’s All True, a massive retrospective at the San Francisco Museum of Modern Art (SFMOMA), PRINTS (1974) is atypical even for the protean artist.[1] Consisting of a steel lockbox containing photographs, documents, and fingerprints, PRINTS records a protracted dispute between Conner and San Jose State University, which had invited him to teach in its art department.[…..]

From the Archives – The Rape of the Sabine Women: Eve Sussman and Rufus Corporation at Impronte Art

Eve Sussman | Rufus Corporation, Annette with Rabbits, 2005. Photo by Benedikt Partenheimer. Courtesy of Impronte contemporary art.

We are thinking through the origins of democracy and systemic racism and misogyny.