Posts Tagged ‘digital art’

!Mediengruppe Bitnik: Is anybody home lol

!Mediengruppe Bitnik, Ashley Madison Angels at Work in Berlin, 2017. Five channel video installation, Full HD, 16:9, sound, loop 10:07; LCD screens, trolley stands, cables, pink neon lights; dimensions variable; exhibition view. Courtesy of the artists and EIGEN + ART Lab, Berlin. Photo: Otto Felber.

Although the “lol” in the title of the exhibition at Berlin’s EIGEN + ART Lab, Is anybody home lol, might suggest that the themes of the works on view are casual and playful, the four works by !Mediengruppe Bitnik (the duo of Carmen Weisskopf and Domagoj Smoljo) are anything but. Each asks salient questions about contemporary human relationships in today’s increasingly digitized landscape. !Mediengruppe have[…..]

Lynn Hershman Leeson: Civic Radar at Yerba Buena Center for the Arts

Lynn Hershman Leeson, Seduction of a Cyborg, 1994, Video, color, sound, Run time: 7:17 min. Screenshot taken by the writer.

A confrontation greets us at Yerba Buena Center for the Arts’ current exhibition, Lynn Hershman Leeson: Civic Radar. Immediately upon entering the space, a perceptual split between the virtual and the real is presented by Hershman Leeson’s The Infinity Engine (2014–2017), a row of distorted mirrors that subsumes and reflects our own appearance, as well as a video installation projected on adjacent walls behind us. Through[…..]

Fan Mail: Ewa Doroszenko

Ewa Doroszenko. Image from the series The Promise of Sublime Words, 2016; digital print; size variable. Courtesy of the Artist.

It can be difficult to tell which parts of Ewa Doroszenko’s works are digital and which are physical, though perhaps this lack of distinction is what makes her series The Promise of Sublime Words most potent. By combining digital and analog processes so seamlessly, Doroszenko’s practice blurs their boundaries to the point of meaninglessness. The result is a body of work that demands a reevaluation[…..]

Fan Mail: Kristine Schomaker

Kristine Schomaker. History of composition and red, 2014; acrylic on board; 48 x 24 inches. Courtesy of the artist.

Digital and analog technologies are seemingly at odds, with the digital on the verge of subsuming and overtaking the analog. The work of artist Kristine Schomaker, however, attempts in strikingly direct fashion to bridge the increasingly complex space between these two poles while acknowledging a deep-seated fascination with both. Schomaker uses digital graphics and animations to make objects, images, and avatars. These works stand as[…..]

Help Desk: Majors and Media

Brad Carlile, One-o, 2011. Photograph (no digital manipulation), 30" x 40"

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. This week’s column is accompanied by photographs by Brad Carlile, whose work is included in the upcoming exhibition Fragile Boundaries at the Delaware Center for the Contemporary Arts[…..]