Posts Tagged ‘culture’

Spotlight: ARTS.BLACK

Kerry James Marshall. Installation view, Mastry at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art, Los Angeles. Photo: Brian Forrest.

This summer, Daily Serving is highlighting work from a few arts publications that we love, and this week we’re focused on ARTS.BLACK. Reflecting on Kareem Reid’s article, co-editors Taylor Renee and Jessica Lynne write, “This essay remains a cornerstone for ARTS.BLACK. Commissioned as one of the two essays for the launch of the journal, Kareem’s essay poignantly articulates our mission and the importance of publishing young Black critics.” This article was originally[…..]

10 Questions for Michele Carlson

Michele Carlson in the classroom.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing around. To celebrate this momentous anniversary, we’re looking at our past, our present, and our future. Today we bring you an excerpt from an interview with Daily Serving’s current executive director, Michele Carlson. Michele joined the team in May 2016, and brings her work as an artist,[…..]

Fan Mail: Suchitra Mattai

Suchitra Mattai. Generally, I don’t think that way II, 2016; mixed media installation; dimensions variable. Courtesy of the Artist. Photo: Wes Magyar.

Suchitra Mattai’s work turns about conceptual and material inversions. It thrives on site-specificity while rejecting its basic premise—that specificity necessarily connotes place-ness. Having been raised on two separate continents and with cultural heritages tracing back to a third, Mattai is familiar with incongruities between the illusory promise of place and her lived experiences. Her practice is disjointed and dreamlike, yet throughout her uneasy landscapes runs[…..]

Letter from the Editor

Romare Bearden. The Block II, 1972;
collage of various papers with foil, paint, ink, graphite, and surface abrasion on seventeen fiberboard and plywood panels.
© Romare Bearden Foundation

Last week, Deadline reported that the New York Times discontinued regional coverage of the arts. Significantly, in her August 6 column, NYT Public Editor Liz Spayd asked, “Why should a newsroom that just announced lofty international ambitions spend resources covering news of no interest to readers in Beijing and London?” Below the surface of this question lies the implication that cultural events happening in smaller[…..]

Albert Yowshien Kuo: Gonna Be Alright at Hoffman LaChance Contemporary

Albert Yowshien Kuo. Still Boxing, 2016; Oil and Mixed Media on Canvas; 70 x 66 in. Courtesy of Albert Yowshien Kuo. Photo: Albert Yowshien Kuo.

Albert Yowshein Kuo’s solo exhibition, Gonna Be Alright, at Hoffman LaChance Contemporary features three large paintings. In them, he depicts figurative tableaux that obliquely reflect social values such as race and gender. The paintings are familiar and unfamiliar, timeless and contemporary. To simply say that Kuo’s juxtapositions of figures and scenes is surreal would be too easy a summation. While painted in a traditional style[…..]

#Hashtags: Convergences and Displacements

Community assists with evacuation of Townhouse library and archives, April 9, 2016. Photo courtesy Townhouse Gallery.

#Townhouse #Cairo #gentrification #urban #culture #displacement This past week has left the venerable nonprofit Townhouse Gallery shaken. Though the attempted demolition of its building at 10 Nabrawy Street in Cairo has been halted, the gallery is faced with months of work ahead to secure its future. Operating since 1998, Townhouse is known for drawing international artists and thinkers to Egypt, and nurturing an emerging network of[…..]

Kehinde Wiley: A New Republic at Seattle Art Museum

Kehinde Wiley. Mrs. Waldorf Astor, 2012; oil on linen; 72 x 60 inches. © Kehinde Wiley.

A New Republic at Seattle Art Museum is Kehinde Wiley’s second solo exhibition organized by the Brooklyn Museum. In his brief fifteen-year career, Wiley has quickly become an established cultural trope. His works have adorned the set of Empire and served as icons of the FIFA World Cup. His portraits of Black men and women are at once celebrated as a vision of Black empowerment[…..]