Posts Tagged ‘Collaboration’

Spotlight: C&

Tabita Rezaire. Portrait from Cunty Party. Courtesy of the Artist and C&.

Continuing our week highlighting the work of C&, today we bring you An Paenhuysen’s interview with French-Guyanese-Danish media artist Tabita Rezaire, who talks about decolonization, health, politics, collaboration, and the West’s discovery of African art. This conversation was originally published on July 5, 2016. An Paenhuysen: You call yourself a “warrior–healer.” Could you tell us a little about the wounds you’re healing with your art? Tabita[…..]

James Franco & Kalup Linzy: Collaborations at Bob Rauschenberg Gallery

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Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews James Franco & Kalup Linzy: Collaborations at Bob Rauschenberg Gallery in Fort Meyers. Since General Hospital brought the two together in 2010,[…..]

Mixed Use by Jess Jones and Gaudi-Juju by Lillian Blades at Swan Coach House Gallery

Lillian Blades. Juju-Veil, 2017; mixed media. Image courtesy of the artist and Swan Coach House Gallery (Atlanta, GA).

Dual presentations of artists can often result in hasty hierarchies of “better vs. worse” or “master vs. apprentice.” However, the recent exhibition of Jess Jones’ and Lillian Blades’ work at Atlanta’s Swan Coach House Gallery tosses all that patriarchal competitive comparison out the door by presenting the strength of their individual practices, as well as their shared interest in the history and procedures of craft.[1][…..]

Follicular: The Hair Stories of Sonya Clark at the Taubman Museum of Art

Sonya Clark. The Hair Craft Project: Hairstyles on Canvas, 2013; silk threads, beads, shells, and yarn on canvas; 29 x 29 inches. Courtesy of the Artist and the Taubman Museum of Art, Roanoke, VA.

Follicular: The Hair Stories of Sonya Clark at the Taubman Museum of Art highlights the historically rich and embodied power of Black hair, demonstrating that hair is a medium as well as a message.[1] For Clark, whose work holds a significant place in the burgeoning discourse of American contemporary craft, Black hair is an aesthetic language on par with the legacies of quilting and textile[…..]

Help Desk: Solo No No

Louise Lawler. Who Says, Who Shows, Who Counts, 1990; set of three Chablis glasses with glass shelf and brackets; 8.50 x 14.00 x 4.25 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m updating my CV and visited a friend’s website to clarify the details of a collaborative piece we worked on a few years ago. While looking for that project, I came[…..]

10 Questions for Patricia Maloney

Patricia Maloney at Southern Exposure in San Francisco.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing around. To celebrate this momentous anniversary, we’re looking at our history—and our future. Today we bring you an excerpt from an interview with Daily Serving’s second publisher, Patricia Maloney (now the Executive Director of Southern Exposure). After starting the Bay Area-based journal Art Practical in 2009, Patricia[…..]

Help Desk: Breaking Up Is Hard to Do

Barbara Kruger. Untitled (Thinking of you), 1999-2000; screenprint on vinyl; 123 1/8 × 100 11/16 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. How do you break up with a collaborator? Asking for a friend. Simple in theory, painful in practice—but the way to break up a collaborative partnership is the same as for a[…..]