Posts Tagged ‘Brooklyn’

Sophie Calle: Here Lie the Secrets of the Visitors of Green-Wood Cemetery

Sophie Calle, Here Lie the Secrets of Visitors of Green-Wood Cemetery, 2017. Courtesy Paula Cooper Gallery & Perrotin. Photo: Guillaume Ziccarelli.

The historic Green-Wood Cemetery is a sprawling, verdant oasis occupying 487 acres of northwest Brooklyn. For centuries, the site has been a sanctuary for mourners as well as a destination for day-trippers—sightseers, birdwatchers, and picnickers who meander landscaped paths and take selfies under blossoming trees. On April 29, 2017, a new memorial was erected on the summit of Grove Hill: a marble obelisk inscribed with the epitaph, “Here[…..]

From the Archives – Beverly Buchanan: Ruins and Rituals at the Brooklyn Museum

Beverly Buchanan. Low Country House, n.d.; wood, 17.75 x 16.75 x 13.25 in. ©Estate of Beverly Buchanan. Courtesy of Jane Bridges and the Brooklyn Museum. Photo: Adam Reich.

On Saturday, millions of women around the world marched to protect their rights and make their voices heard for equality, pouring into the streets and carrying signs with messages both personal and political. In light of the energy their work manifested, today we bring you Lia Wilson’s review of Beverly Buchanan’s exhibition at the Brooklyn museum; unlike the signs and banners from #WomensMarch—many of which are now[…..]

Beverly Buchanan: Ruins and Rituals at the Brooklyn Museum

Beverly Buchanan. Untitled (Double Portrait of Artist with Frustula Sculpture), n.d.; black and white photograph with original paint marks, 8 ½ x 11 inches. ©Estate of Beverly Buchanan, Courtesy of Jane Bridges and the Brooklyn Museum.

A comprehensive and long overdue exhibition of Beverly Buchanan’s work kicks off A Year of Yes: Reimagining Feminism at the Brooklyn Museum—a yearlong program of ten exhibitions celebrating the first decade of the museum’s Elizabeth Sackler Feminist Art Center. In a time when voices of misogyny and white supremacy are gaining renewed validation in national political discourse, exploring assumptions around feminism and what feminist art[…..]

Pedro Reyes: Doomocracy at the Brooklyn Army Terminal

Pedro Reyes. Lady Liberty, 2016; installation view, Pedro Reyes: Doomocracy, 2016. Courtesy of Creative Time, New York. Photo: Will Star Shooting Stars Pro

The word “doom” is frequently preceded by “impending” or “certain.” It implies finality—condemnation to a state of catastrophic ruin that overpowers any attempt to forge order and peace. In the case of Doomocracy, an immersive installation and performance in the form of a house of political horrors conceived by Mexico City–based artist Pedro Reyes, doom is employed as part parable and part prophesy—a way to[…..]

Wojciech Kosma and Sjoerd Dijk at INTERSTATE

Wojciech Kosma and Sjoerd Dijk. Liberty is everything when it necessitates love for a human; promotional image. Courtesy of the artists and INTERSTATE projects. Image: Hayley Silverman.

As Wojciech Kosma burst into a spontaneous fit of tears on the concrete floor of INTERSTATE, his performance partner, Sjoerd Dijk, stroked the artist’s hair and waited for their performance to end. Where did these tears come from? And why didn’t I believe them? The–family, of which Kosma and Dijk are a part, is a performance collective that stages highly physical, improvised conversations that attempt[…..]

The Scattered Geometries of Matt Phillips

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This, and then. It’s the title of Matt Phillips’ latest exhibition and a useful shorthand for the mental quick march a viewer undergoes when observing his work. Through his abstract oil and acrylic paintings, Phillips plays with color, form, and volume—the building blocks of our artistic experience—to create dynamic, shifting spatial relationships. His canvases evoke, simultaneously, the calm beauty of the natural world, the randomness[…..]

Fan Mail: Interview with Irina Rozovsky

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For this edition of Fan Mail, Moscow-born, Brooklyn-based Irina Rozovsky has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line. One artist is featured each month—the next one could be you! I was immediately taken with Irina Rozovsky’s current body of work, In[…..]