Posts Tagged ‘Ashley Stull Meyers’

Spotlight: Art Practical

A sign from the Women’s March on Washington in Washington D.C. on Saturday, January 21, 2017. Photo: Damon Dahlen, Huffington Post.

This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. We’re excited to partner with publications such as Reorient, ARTS.BLACK, Contemptorary, and others, and will highlight the work of a different site each week. To begin, we’re proud to shine our light on some recent work at our sister site, Art Practical. Today we bring you Ashley Stull Meyers’ essay “Signs[…..]

From the Archives – Interview with Shanti Grumbine

Shanti Grumbine. Persephone, April 2, 2013, A1, 2015; basswood dowels, anodized die, pigment print, mirrors, wood panel, 22 x 29 in.

In a world of propaganda and fake news, sorting fact from fiction can be a complicated task. Today we revisit Ashley Stull Meyers’ interview with artist Shanti Grumbine, who deconstructs newspapers as a way of investigating the power dynamics of communication. “The goal of journalism is to discover and present an objective truth—which is an impossible task.” This article was originally published on March 9, 2015. Art[…..]

Signs of the Times

Organizers put the Women’s March on Washington in Washington D.C. on Saturday Jan. 21, 2017. Photo: Alanna Vagianos, Huffington Post.

Today from our sister publication Art Practical we bring you Ashley Stull Meyers’ article from issue 8.3: Art can’t do anything if we don’t. Meyers discusses the collecting institution’s role in politics and protest, exploring “what, how, and to what ends our cultural institutions collect,” specifically in regard to protest ephemera. This article was originally published on March 23, 2017. January 21 of this year was a[…..]

In Memoriam: Leigh Markopoulos

Leigh Markopoulos. Image courtesy of Kevin Killian.

Today we honor the life and work of Leigh Markopoulos (1968–2017): art critic, curator, instructor, and friend and contributor to Daily Serving and our sister publication Art Practical. It is an understatement to say that Leigh was admired; she was loved in the way that only great mentors and friends are loved—fiercely, and without reservation. What follows are brief remembrances of a few of her former students[…..]

Curating in an Era of Change: In Conversation With E. Jane

E. Jane. Notes on softness, 2016, NewHive site.

Today from our friends at ARTS.BLACK we bring you the third installment of author Ashley Stull Meyers’ series Curating in an Era of Change.  In this iteration of the work, Meyers interviews conceptual artist E. Jane. They discuss the internet as exhibition space, academia, and navigating the art world—and the world at large—as Black women. E. Jane states, “I think the social media feed has some Utopian possibility[…..]

Best of 2015 – The Great Debate About Art at Upfor

Ben Buswell. ABRACADABRA (Perish Like the Word), 2015; graphite and non-photo blue; 38 x 20 inches. Courtesy of the artist and Upfor. Photo: Mario Gallucci.

DSAP director Patricia Maloney selected today’s installment for our Best of 2015 series: “Ashley Stull Meyers doesn’t shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined. The effort to determine the limits or properties of what constitutes art is a quixotic task, and Meyers acknowledges the absurdity inherent in the premise right from[…..]