Posts Tagged ‘Art Practical’

A Quinquennial and Two Biennials

Forget Fear, 2012; installation view of the KW Institute for Contemporary Art’s ground floor, 7th Berlin Biennale, 2012. Courtesy of Frieze.

Today we honor the work of our friend and contributor Leigh Markopoulos, who died tragically on Friday after a car accident in Los Angeles. Leigh worked at Serpentine Gallery, Hayward Gallery, and the Wattis Institute for Contemporary Arts; eventually becoming the Chair of the Graduate Program in Curatorial Practice at California College of the Arts, where she shaped more than a decade of cohorts of MA students in the first[…..]

Precarious Citizenship

Gazi Nafis Ahmed. Shahinoor & Nipa #2, 2013. Courtesy of the Artist. “I am a woman and I love another woman. I want to live with my lover. I don’t want anyone to come between us. We don’t want anyone among us to commit suicide, to get hurt, to become addicted to drugs, to cut themselves. Let us live the way we want to. Now is the time to open up and talk about it.”

Today, as we in the United States live our first day under a new administration, we bring you John Zarobell’s “Precarious Citizenship.” Originally published in Art Practical’s issue 8.1, this article explores the “precarious citizenship” of Gazi Nafis Ahmed, a Bangladeshi artist whose rich black-and white portraits of queer communities have gained unwanted fundamentalist attention, making it unsafe for him to remain in his country. Zarobell says, “Precarious citizenship is[…..]

Border Crossings: From Palestine to Mexico

Khaled Jarrar. Khaled’s Ladder, 2016; made from parts of the Mexico/USA border. Courtesy of CULTURUNNERS.

From our sister publication Art Practical today we bring you an article published in Issue 8.1: Art & Citizenship. Author Genevieve Quick considers Khaled Jarrar’s ongoing project Live and Work, which interrogates the borders between Palestine and Israel, and Mexico and the United States. Quick states, “As larger geopolitical issues are debated between international politicians, Jarrar uses art to enact seemingly small gestures that empower himself as an individual,[…..]

Between Citizenry and Privilege: Ai Weiwei and Bouchra Khalili

Ai Weiwei and Rowlit Chawla. Weiwei on Lesvos Beach, 2016. Photo: Rowlit Chawla for India Today.

Today from our sister publication Art Practical we bring you Jordan Amirkhani’s article from 8.1: Art + Citizenship. Amirkhani discusses the recent work of artists Ai Weiwei and Bouchra Khalili as they respond to global crises. Amirkhani quotes Hannah Arendt, who speaks to citizenship and  those who lack the “rights to rights,” saying, “If a human being loses his political status, he should, according to the implications of the inborn[…..]

Printed Matters – Jonathan Griffin: On Fire

Jonathan Griffin. On Fire, 2016. Courtesy of Paper Monument.

Our struggle to take in the losses of the Ghost Ship fire, to hold up those who lost their lives, and to meet the needs and rights of those who remain foregrounds connection and community. KQED’s series of visual and textual remembrances shines a light on each person who died. It is with this focus on the people who make up our art world that[…..]

Breaking Point: Accessibility and the Cummer Museum

A 2004 meeting of Women of Vision. The group of low-vision and blind women meet monthly at the Cummer Museum to make art, go on touch-tours of the museum, and write their memoirs. Photo courtesy of Hope McMath.

Today we bring you Calder Yates’s essay from our sister publication, Art Practical; originally published in Issue 8.1: Art + Citizenship. Yates retraces the history of the Cummer Museum in Jacksonville, Florida, and its journey towards accessibility and inclusivity under former museum director Hope McMath. Calder states “In Jacksonville, with all of the residual bigotry that comes with its legacy as a city in the South, the creation of[…..]

Sculptures and People

Gordon Newell. Valley Landing, (date unknown); installation view, Fulton Mall (Fresno, CA). Photo: Elena Harvey Collins, 2016

Today we bring you an Elena Harvey Collins essay from our sister publication, Art Practical. Harvey Collins explores the genius loci of the Fulton Mall in Fresno, California, its history and redevelopment, and the public artworks that surround it. She says “The mall had the feeling of a permanent film set made for the performance of civic life—one steeped in magical realism. ‘I woke up feelin’[…..]