 The photography, video and performance works of artist Kelly Nipper proclaim the material proof that is inherent to photography and lens-based media at a time when most artists are determined to prove the falsities of the medium. Nipper explores the human relation to time, space and dimension, usually carried out through the choreographed acts of her subjects. The artist often works against normal photographic expectations, leaving her viewers void of the satisfaction that comes from the release of a climax or the capturing of a spectacle. Instead, Nipper engages her viewers with quiet, unassuming, though philosophically rich, images that investigate the empirical nuances of life. Nipper lives and works in Los Angeles and is an M.F.A. graduate of the California Institute of the Arts in Valencia, Calif. This year, the artist will present an exhibition with the Anna Helwing Gallery in Los Angeles. Previous exhibitions include "Bending Water into a Heart Shape" at the Galleria Francesca Kaufmann in Milan, Italy, and "shotgun and a figure 8" at the Shoshana Wayne Gallery in Santa Monica, Calif., which was reviewed by Artforum (2001). The artist has performed at the Museum of Contemporary Art in California, PERFORMA07, and she has received the Alberta Prize for Visual Art from the Alberta duPont Bonsal Foundation. | |||
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 A collaborative team of Melbourne artists known as DAMP have created Scene 1, an interactive installation currently on show at the Kerry Gardner & Andrew Myer Project Gallery within the Heide Museum of Modern Art, Victoria. Consisting of three large painted wooden panels, the work depicts the artists posing in a conceptual freeze frame similar to the biblical nativity scene. Holes have been cut where their faces should be in order to allow for the audience to insert theirs instead. Photographs of spectators in this positioning can be taken and displayed on the gallery wall, allowing them to remain as part of the work. DAMP have been operational since 1995, and are frequently changing in members. Their projects are often performative in nature and rely on audience involvement, thus blurring the barriers between art, artist and audience. They have had various solo shows across Australia and have appeared internationally within group exhibitions at venues including Gallery Side 2, Tokyo, Basekamp Gallery, Philadelphia, Serpentine Gallery, London and UKS Gallery, Oslo. Members who took part in the creation of Scene 1 include Jonathan Bailey, Martin Burns, Olivia Dwyer, Sharon Goodwin, Ry Haskings, Spiro Kalantzis, James Lynch, Lisa Radford, Sean Samon, Dion Sanderson, Blair Trethowan, Masato Takasaka and Neil Wilson. | |||
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 Kicking off this February at the Australian Centre for Photography Paddington, will be the exhibition "William Yang: Claiming China". Held in conjunction with the City of Sydney's Chinese New Year Festival and the 2008 Sydney Gay and Lesbian Mardi Gras, the display celebrates the work of acclaimed Chinese-Australian artist William Yang. While open about his homosexuality, Yang's work often controversially touches on issues regarding both his heritage and sexual preference. Within this exhibition Yang's photos explore his forced assimilation into Australian culture and the repossession of his Chinese background. Yang was born in Queensland as a third generation Australian. He is a multitalented individual, having worked as a playwright, a photographer and performance artist. He has been awarded several prizes including the 1993 International Photographer of the Year Award at The Higashigawacho International Photographic Festival, Japan as well as numerous awards, nominations and special mentions for his poignant documentary "Sadness". He earned a Bachelor of Arts - Architecture and an Honorary Doctorate of Letters both from the University of Queensland, and has widely exhibited both locally and internationally at institutions including the Museum of Contemporary Art, Sydney, Torch Gallery, Amsterdam and the San Diego Museum of Art. | |||
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 Curated by Thibault Sandret of Glam Trash Pop and hosted by Virginie Sommet's Studio/Gallery 173 on Canel Street is the exhibition "Don't Call It Street Art," which will be on open to the public beginning this weekend on Dec 15th. The group show celebrates Street Art through photography, painting, collage, graphic design and live body painting. By taking the art out of its urban context and hanging in a gallery the work becomes legalized as well as institutionalized. Sandret hopes that by placing the work in the space of the gallery, people will allow themselves to slow down and take a look in a way that may otherwise not happen when quickly passed on the streets. Artists included in the show include Ogi, COL & Veng, Nathalie Hamelin, Iris Arnaud, Gary St Clare, Hugo Martin, Jake Dobkin and Alexandra Zsigmond. | |||
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 Artist Jon Brumit produces socially-based collaborative projects that investigate interaction through tools, instruments and loosely structured scenarios which by default have unpredictable outcomes. Neighborhood Pubic Radio is a collaborative artist-run radio project featuring Brumit that aims to give people a forum via local radio to voice their opinions, concerns or interests as artists, activists, musicians and community members. NPR has been featured in Punk Planet magazine, Artforum, and the Chicago Reader, it will be included in the 2008 Whitney Biennial. Brumit has exhibited with the Lisa Dent Gallery in San Francisco, Space 538 in Portland, and the Richmond Art Center in Richmond, CA. The artist is also involved with the collaborative projects Van Boven and Sliv & Dulet Enterprises and has received funding from Creative Work Fund and CEC ArtsLink. | |||
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 Los Angeles artist Dawn Kasper is currently exhibiting a morbid series of photographs, Life and Death, at Hollywood's Circus Gallery. The sleek photographs in the exhibition document performances in which Kasper compulsively enacts her own death. Kasper's preoccupation with life's temporality has led to a diverse span of mock deaths over the last three years: she has enacted her own impalement, choked herself, bled herself, and imagined her body's decomposition. She staged a fatal car crash at Anna Helwing Gallery in 2004 and she was thrown out with the trash in a 2004 performance for Zurich's Migros Museum. Life and Death is the first exhibition to show all the documentations of her gruesome performances in the same space. When seen together, the photographs each read as scenes in a surreal drama and the show's glitzy, theatrical aura nicely accentuates Circus Gallery's Hollywood locale. Kasper received her BFA from Virginia Commonwealth University in 1999 and graduated from UCLA's MFA in New Genres program in 2003. Since then, she has shown in Los Angeles, New York and Zurich. | |||
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 Performance artist Andrea Fraser has long been acclaimed as provocateur, leading a unique style of performance art coined as "institutional critique." The artist has conducted many famous performances, such as the 1989 work "Museum Highlights," where the artist posed as a Museum tour guide under her stage name Jane Castleton at the Philadelphia Museum. During the piece the artist walked different groups around the institution using grandiose verbiage often associated with overly intellectualized critics, art historians and gallery directors. Perhaps her most controversial work to date is "Untitled" (2002) a videotape performance where Fraser had a 60 minute sexual encounter with a prominent art collector through a contractual agreement. The artist proposed the piece to the Friedrich Petzel Gallery and asked them to facilitate an agreement between the artist and the patron in which the patron participated in the production of contemporary art through a sexual act in a hotel room. In the end, the patron paid $20,000 for the work in the form of an unedited videotape of the performance, and one other copy went on view at the Friedrich Petzel Gallery. The New York Times Magazine reviewed the work and reflected both its art historical position and its opposition by many in the New York community. | |||
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 The Moti Hasson Gallery in New York City is currently presenting "Waking the Dead," a new body of work by Canadian-born, New York-based artist Jillian McDonald. The exhibition will include a special performance on Halloween night. Within the show, the artist has produced several videos and a series of photographs which feature images that are derivative from a variety of horror films. In the work above, "Horror Makeup (2006), McDonald films herself transforming into a zombie as viewers gaze upon the transformation on an otherwise 'normal' subway ride. In reference to placing herself in the work, Mcdonald states "My presence in the work is not autobiographical. I think it's clear that my image serves as a deliberate subject who enacts shared fantasies or fears." McDonald received funding the exhibition in part by a grant from Pace University, and created the work through residencies in New York at The Lower Manhattan Cultural Council's Workspace Program, The School of Visual Arts, and The Western Front in Vancouver, Canada. The artist received her MFA from Hunter College in NYC, and has complete exhibitions worldwide including works with Jack the Pelican Presents, NYC, Soap Factory, Minneapolis, and upcoming exhibitions with 1708 Gallery in Richmond, VA, and Bjornson Kajiwara Gallery in Vancouver. | |||
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 Parisian artist Prune Nourry's work investigates elements of many current social and scientific issues such as genetic modification, stem cell research, fetishes and the commodification of the human form. The artist conducted a project of celebrity led fetishes with dogs and other pets as well as pet-baby substitution piece. For her latest work "Adoption Day," the artist will conduct a performance piece scheduled for today in Regents Park / Central London presented by Jaguar Shoes. For this performance the artist has created five figurative silicone sculptures that are designed to be a hypothetical genetic hybrid baby. These sculptures will each be accompanied by a nanny and will travel from different parts of London, the performance will end with a series of family photo sessions including the newly created family addition. | |||
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 Cuban-Dominican artist Quisqueya Henriquez opened his first major museum survey exhibition at the Bronx Museum of the Arts yesterday evening. "The World Outside: A Survey Exhibition 1991-2007," showcases the artist's sculptures, installations, drawings, photographs, videos and light/sound works created over the past two decades. In addition to the exhibition, Henriquez was featured in this month's ARTnews magazine. The artist's work investigates social environments through cultural cliches, invoking sensory experiences of urban life through his multi-disciplinary works. The artist, who is currently represented by David Castillo in New York City, studied at the Instituto Superior de Arte (ISA) in Havana, Cuba and the Universidad Autonoma De Santo Domingo (USAD) in Santo Domingo, Dominican Republic. Henriquez has exhibited in the Centro de Fotografia de la Isla de Tenerife in the Islas Canarias, Spain and Proyecto de Arte Contemporaneo, Museo Rufino Tamayo, Mexico, among countless others. The artist is now in the collections of the Museum of Contemporary Art (MOCA), North Miami, the Henry Buhl Foundation and the Rhode Island School of Design (RISD).
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Bay Area artist, entrepreneur and organizer Marc Horowitz gained national attention when he wrote "Dinner w/ Marc 510-872-7326," his actual name and cell number, on a dry-erase board, which was published in a Crate & Barrel catalog. Soon after, calls poured in, and Horowitz began "The National Dinner Tour," a traveling, dinner-eating, cross-country adventure. Since, the artist has produced several projects, including "The Errand Feasibility Study," featuring Horowitz riding a mule in downtown San Francisco while doing various tasks such as making a bank deposit. After a short stint at the San Francisco Art Institute, Horowitz and long-time collaborator, Jon Brumit founded Sliv & Dulet Enterprises, a conceptual company dedicated to solving problems by creating products such as the "office in a tent" and services such as the fog removal initiative for the Golden Gate Bridge. | |||
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 During the preparation of "Nest," a new exhibition on view at the Deitch Projects' 76 Grand Street gallery, artists Dash Snow and Dan Colen invited 30 volunteers to spend three days shredding 2,000 New York City telephone books in a grimy and most unusual installation. The group spent midnight to 8 a.m. each night wading in waist-deep shredded paper, creatively destroying everything in their process by drinking, peeing and painting while spending quality time together creating their dwelling. This performance was based on previous incidents where the artists rent a hotel room, shred phone books, string up the sheets, turn on the taps and take drugs such as mushrooms, cocaine and ecstasy until they feel like hamsters (read article in NY Magazine). Since the events took place, the gallery has remained in the condition the artists left it and will be on view for the public until August 18. Although Snow and Colen create very different works independently, Snow's work is grounded in photography and Colen's in painting. Both artists bear a gritty, raw and rebellious sensibility in their work. Snow has exhibited recently at Sutton Lane in London and Rivington Arms in NYC. Colen, a previous DailyServing feature, recently exhibited "No Me" at Peres Projects in Berlin and "Secrets and Cymbals, Smoke and Scissors (My Friend Dash's Wall in the Future)" at Deitch Projects and Peres Projects in Los Angeles. | |||
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 Gelitin, the Austrian-based group of four collaborative artists, is participating in the group show "Das Hamsterrad" (the hamster wheel) this year at the Venice Biennale. For the exhibition, Gelitin built a wooden construction of embracing arches that tower in the gallery space. A smaller and slightly less complicated version of the structure was also presented this year with a performance called "Bunter Abend" at Deitch Projects in New York City. These are just a few of the projects that the group has accomplished this year. Others include "The Dig Cunt," a multi-day performance produced by Creative Time held on Coney Island, and "Das Kakabet," an exhibition with Galerie Nicola von Senger in Zurich. The artists have been exhibiting together internationally since 1993 and are currently represented by Galerie Emmanuel Perrotin in Paris and Miami and Gagosian Gallery in London, among others. Gelitin was a previous DailyServing feature, included for their 200-foot-long and 20-foot-high pink bunny sculpture constructed in the hills of Artesina, Italy. | |||
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 Dieter Appelt is one of Germany's most influential photographers and videographers. Since 1982, the artist has taught photography, film and video at the Hochschule der Kunst in Berlin. In the late 1970's and 1980's, the artist's work was centered on performance art, and his photography developed out of the documentation of his performance. Often, the performances took place within constructed nature-based sculptures or sets and dealt with issues related to primal endurance and decay. This was in part because of the experience of returning home from World War II to find the decomposing bodies of soldiers in neighboring fields. Drawing an obvious influence from artists such as Joseph Bueys, Appelt regards his works as sculptures of time as he often places himself in endurance-testing positions. Appelt has been exhibiting works since the 1970's and has exhibited extensively in Europe. Major solo museum exhibitions for the artist have occurred at the Guggenheim in New York, the Art Institute of Chicago and the Staatliche Museum in Berlin. The artist is currently represented by Galerie Guy Bartschi is Geneva. | |||
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 South African-born artist Robin Rhode works in a variety of media, including performance, photography, sculpture and video that centers on his personal experiences as a young man growing up in Johannesburg suburbs. The artist uses and alters everyday objects that reference South African products or that embodies a personal or social connection to the artist. Rhode is currently exhibiting new work in all three of the Perry Rubenstein Gallery's exhibition spaces. The artist has continued his interest in exploring narratives where he uses only the most basic of materials to complete his ideas. Recently, the artist has expanded to 16mm film and sculpture and has created a collaborative performance in Rheims, France, with professional dancer Jean-Baptiste Andre and violinist and cellist Didier Pertit. Rhode lives and works in Berlin and in September will have his first major museum exhibition in Europe at the Haus der Kunst in Munich. Rhode has exhibited internationally, including notable shows with Mori Art Museum in Tokyo, Museo Tamayo Arte Contemporaneo in Mexico City and Witte de With Center for Contemporary Art in Rotterdam. | |||
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 A new multi-media extravaganza exhibition titled "a very anxious feeling" by assume vivid astro focus (avaf) is on view with John Connelly Presents in New York City. The exhibition contains three environments within the gallery and includes 3-D wallpaper, a corridor of music, flashing neon sculptures, video and a room with a series of music-related performances. A featured installation titled "Four-letter words" is comprised of wrapped objects and text-based wallpaper with provocative words such as BUSH, HOMO, PRAY, ANAL and HOPE. The gallery also converted the store-room basement into an extension of the show that features five abstract neon sculptures. In addition, the exhibition contains a re-installed series of work from a previous exhibition titled "absorb viral attack fantasy" with Hiromi Yoshii in Tokyo. assume vivid astro focus is led by artist Eli Sudbrack and is said to contain many members who are all born anytime between the 20th and 21st centuries in various parts of the world. This year, (avaf) will exhibit assume vivid astro focus XVIII with Deitch Projects as a follow up to the widely popular exhibit in 2003. (avaf) will also be featured this year in "Destroy Athens" at Athens Biennial and "Space for The Future" at the Museum of Contemporary Art Tokyo. | |||
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 "Zivildienst Kunstprojekt, Kunstprojekt Zivildienst" translates to "Social Service Art Project, Art Project Social Service" and is a new series by Canadian artist Althea Thauberger at John Connelly Presents in New York. Long periods of research in social and political developments led the artist into collaborative performances that intend to reveal a particular group consciousness and civil responsibility. Thauberger collaborates with various social groups, engaging them with exercises and meetings designed to help promote group discussion about their relevant social issues. The artist usually presents her work as video, performance or photography. Thauberger is currently a doctoral candidate in communications at the European Graduate School in Saas Fee, Switzerland, and is an MFA graduate of the University of Victoria in Victoria, B.C. The artist has recently exhibited with Basis Voor Acuele Kunst (B.A.K.) in the Netherlands and Kunstlerhaus Bethanien in Berlin, Germany. | |||
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 Icelandic artist Ragnar Kjartansson experiments with visual arts, theater and music to create live performances. Kjartansson's work often references modes of aggression, masculinity and dominance. In 2003, the artist recreated a scene from a period of Danish colonization in Iceland where a Danish merchant is shown beating a native Icelandic peasant. The image above depicts a knight that is exposed representing sexual power and playing a piano that emits sounds of groaning women. Kjartansson was born in Reykjavik, Iceland (1976), and attended the Icelandic Academy of the Arts painting department (2001) and the Royal Academy in Stockholm, Sweden (2000). Kjartansson exhibited "Colonialization" with the Galleri Kling & Bang and is currently exhibiting "Samviskubit/ Guilt Trip" at Galleri i8 in Reykjavik, Iceland. | |||
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 Icelandic artist Katrin Sigurdardottir's work creates imaginary spaces within another space. Sigurdardottir deals with scale to create a relationship between the work and the viewer. She uses architectural structures to bring together nature and design, allowing the viewer to participate with the work. Her most recent exhibition, open now with P.S.1 in New York, depicts an artificial landscape where the viewer must climb a ladder to view the created space. Currently, Sigurdardottir is seen as one of the most influential artists of Iceland. She received her MFA from Rutgers University and since has shown with Art Basel in Miami, the Renaissance Society in Chicago, Fonds Regional d'Art Contemporain de Bourgogne in France and Galleri i8 in Iceland. In 2005, she was one of the recipients of the Rema Hort Mann Foundation Grant for the Arts. | |||
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 Demetrius Oliver uses his body to explore social issues of race, history and culture. Large digital c-prints depict a variety of simple, yet compelling, images of the artist interacting with loaded objects and materials such as coal and white cream. The artist also draws pictures on his own body, such as railroad tracks across his hands and small ships on his finger nails, as well as creates significant works in sculpture and performance. Oliver confronts issues that deal with the history of African-Americans by directly using these images as metaphors for problems that seem to remain to some degree unsolved. The artist is a graduate of the University of Pennsylvania's Master of Fine Arts Program (2004) and since has exhibited works with the Inman Gallery in Houston. He is currently exhibiting in Pulse New York and has had museum exhibitions with the Gibbes Museum of Art in Charleston, South Carolina (2006), and the Contemporary Art Musuem of Houston. Oliver has participated with Project Row Houses in Houston and is a Core Fellow with the Glassell School of Art. | |||
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 In a recent exhibition at The Moore Space in Miami, artists Jennifer Allora and Guillermo Calzadilla created a room-sized architectural sculpture titled "Clamor." The large, white structure is ambiguously designed and references chamber, bunker or space-cave architecture. During a performance in the gallery, a group of musicians played various elements of war songs from multiple geographic locations and historical periods simultaneously out of the structure. The artist duo has been working together since 1995, producing a variety of works in sculpture, performance, architecture and social and public relations. Allora is a graduate of Massachusetts Institute of Technology (2003), and she attended the Whitney Independent Study Program (1999). Calzadilla attended Bard College for his MFA (2001) and the Skowhegan School of Painting and Sculpture (1998). Last year, the artists exhibited with S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent, Belgium, and Land Mark, Palais de Tokyo in Paris, France. Allora and Calzadilla received grants from the Joan Mitchell Foundation and the Penny McCall Foundation. | |||
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 A member of China's new wave of influential artists, Cao Fei has developed an expansive young career featuring works in performance, photography, video, writing, and sound art among other projects. Taking in the mass influence of western culture in the east, the artist reflectively constructs images that offer insight into the current state of this optimistic country. The video still shown above is from a series title "Hip Hop" and exemplifies several Chinese lay individuals' engaging in what seems to be awkward hip-hop stances. Other works such as the "COSplayers" depict young people dressed as Japanese anime characters acting out scenarios in the landscape of Cao Fei's home city, Guangzhou. The artist attended the Guangzhou Academy of Fine Arts (2001), and was a member of the German Federal Cultural Foundation (Kulturstiftung des Bundes) fellowship program (2005). In 2006, Cao Fei exhibited PRD "Anti-Heroes" at the Museum Het Domein, Sittard, Netherlands, and "Hip Hop" with Lombard-Freid Projects in New York City. This year, the artist will be featured in "World Factory: Resistance and Dreams" at the San Francisco Art Institute. Cao Fei has been featured in the NY Times, and was reviewed last year by ArtForum. | |||
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 German artist Janaina Tschape produces video, sculpture, photography and drawings as she works through fragmented narratives that exist somewhere between reality and fiction. Ideas of the female body are explored through wearable sculptures, fabricated to mimic fleshy organic bio-morphic material. The photographs and videos take place in luscious botanical settings that aid to the dreamlike quality of each character. The artist was born in Munich and spent most of her adolescence in San Paulo, Brazil. Tschape is a graduate of the School of the Visual Arts in New York City (1998), and she attended the Museu de Arte Moderna Artist Residency in Salvador, Brazil (1994). Last year, the artist exhibited "Melantropics" at The Museum of Contemporary Art, St. Louis, and had a solo exhibition with Galeria Fortes Vilaca in Sao Paulo, Brazil. In 2007, Tschape will exhibit with Sikkema Jenkins & Co. in New York City and The New Art Gallery in Walsall, U.K. | |||
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 One of Brazil's most famous artists, Ernesto Neto creates room-sized environments for the viewer to navigate through and interact with. By using light, stretchable fabrics and organic shapes, filled occasionally with scented spices, Neto's work allows the viewer to experience the work through all senses, creating a spatial labyrinth for the journey through the passages in the room. Currently, Neto is collaborating with Merce Cunnigham on an exhibition called "Dancing on the Cutting Edge," where his sculptures become sets and costumes for the choreographer at the Museum of Contemporary Art in North Miami. He exhibited with the Fabric Workshop in Philadelphia (2004) and worked with Carnegie International (1999). Neto was the Brazilian artist for both the Biennale of Sydney (1998) and the Venice Biennale (2001). ArtForum has reviewed his work several times, including his exhibition with Galerie Max Hetzler in 2004. | |||
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 Photo, performance and video artist Mary Coble creates work that addresses the social issues associated with gay, lesbian and trans-gendered individuals. The images evoke physical pain that references the emotional strain many ambi-sexual individuals constantly endure. Her 2005 performance with Conner Contemporary Art in Washington, D.C., received strong opinions after the artist endured a 12-hour marathon of inkless tattooing, covering the back side of her entire body with the first names of more than 300 gender-based hate crime victims. Mary Coble graduated in 2004 from George Washington University and since then has had exhibitions and performances with Contemporary Art Center of Virginia, d.u.m.b.o. art center in Brooklyn, N.Y., and Artist's Space in New York City through Performa'05. In 2007, Coble is scheduled to have a performance with the Brooklyn Museum of Art in New York. View video of Mary Coble's inkless tattoo performance "Note to Self" (2005) here. | |||
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Austrian-based artist group Gelitin is comprised of four artists -- Wolfgang Gantner, Ali Janka, Florian Reither and Tobias Urban. The artists are internationally known for their ambitious and absurd projects and performances. Pictured above is a giant 200-foot long and 20-foot high bunny sculpture, stuffed with hay in the hills of Artesina, Italy. The pink bunny was installed in 2005 and will remain in place, left to decompose until 2025. In 2005, the group exhibited arguably the world's largest urine-based icicle during the Moscow Biennale with a work titled "Zapf de Pipi." Viewers were asked to step into a room built off of a second-story window in the gallery and urinate into a bucket. This would freeze before hitting the ground, eventually forming the world's first museum ice sculpture. In 2006, Gelitin exhibited "Group Therapy" with MUSEION, Museo d'arte moderna e contemporanea in Bozen, and "Hugris" with the Kling & Bang Galleri in Reykjavik. To view the video of "Rabbit" the bunny sculpture, including images from Google Earth, click here. | |||
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 Austrian artist Erwin Wurm currently has an exhibition titled "I Love My Time, I Don't Like My Time" at the Frye Museum in Seattle, Washington. The exhibition features work from the '90s to 2006. Wurm's humorous work has a reputation for challenging the traditional notions of sculpture. His works are often exhibited in the form of photographic documentation of temporary sculptures created with the interaction of a participant. The image above is from a series titled "Instructions on How to Be Politically Incorrect," which depict scenarios of personal invasion as individuals search for bombs in humorous and unlikely places. Other works include "One Minute Sculptures" in which viewers follow the artist's instructions by combining their own body with common objects to create temporary sculptures. Wurm has shown internationally with more than eight exhibitions in 2006, including works with MUMOK in Vienna, Austria (on view now) and the CAPC Musee d'art Contemporain in Bordeaux, France. In 2005, the artist was reviewed by both Artforum (January) and Flash Art Magazine (January-Febuary). Wurm continues to live and work in Vienna and New York. | |||
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 Zhu Ming is a performance and conceptual artist whose work is time based and usually involves physical extremities. Often performing inside of a custom made balloon, the artist will undergo certain actions that reference both his Chinese heritage and the futility of communication. In the 1990s Ming joined other artists to form Beijing East Village; this area was often considered the most experimental of the artist villages of that time. Many of his contemporaries from that area, including Zhang Huan, have become internationally renowned artists. Although Ming has not presented any major solo exhibitions as of recent, he has participated in several pivotal group exhibitions. Group exhibitions and performances this century include "Liquid Sea" performance at the Contemporary Museum of Sydney, Art2003, Chinese Contemporary, London, and "Cut In-Photos and Videos" China Artscene Warehouse, Beijing. | |||
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 Luis Gispert produces evocative photographs, multimedia installations, and sound sculptures that highlight an investigation of "high culture" notions through hip hop references. Gispert is a graduate of Chicago Art Institute in film (1996), and from the Yale School of Art in sculpture (2001). The following year Gispert exhibited in the Whitney Biennial, and in 2003 the artist had a solo exhibition with the Whitney Museum. This was followed by exhibits in Art Pace, San Antonio and the Hood Museum at Dartmouth College. Gispert is currently represented by Fredric Snitzer Gallery in Miami and by Zach Feuer Gallery in NYC. The artist also directed the film "Stereomongrel" with L.A. based filmmaker Jeffrey Reed. | |||
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 Marc Horowitz is a San Francisco based conceptual artist who works in a variety of mediums from photography to absurd video and performance. Horowitz is the co-creator of Sliv & Dulet Enterprises, a conceptual company staffed with thirty artists posing as business people to developing problems for people's solutions. National Dinner Tour is a recent project that has been featured on dozens of radio stations, newspapers, and national and international television programs because the artist is on tour to simply dine with strangers. Marc Horowitz photography is represented with Yooprojects in San Fran, and on November 20th the artist will hold a lecture at Portland State University. | |||
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