Sculpture

This Is Not Iranian

Anahita Razmi. Middle East Coast West Coast, 2014 (video still); HD Video; 23:04.

From our friends at REORIENT, today we bring you Joobin Bekhrad’s conversation with artist Anahita Razmi. Bekhrad and Razmi discuss identity, underwear, and the Pakyan. Razmi states, “I like the idea than an identity is something that one constructs, something that is at all times flexible and changing.” This article was originally published January 3, 2017. What was I doing near Trafalgar Square? I don’t know.[…..]

From the Archives – Vesna Pavlović: LOST ART at Zeitgeist Gallery

Vesna Pavlović. Video Still, May 25, 1979, Television, Belgrade. 2015. Endura metallic print. 20.5 x 14 inches. Image courtesy of the artist and Zeitgeist Gallery (Nashville, TN).

“Instability, fragmentation, and brokenness”—these words could easily refer to the current global political situation, yet here they specify the 20th-century regime of Josep Broz Tito, a Yugoslavian revolutionary whose later presidential reign was marked by repression and human-rights violations. In street protests, as in galleries and museums, citizens around the world are turning to imaginative expressions of their fears and objections, and we are reminded of the[…..]

An Atlas of Mirrors: Singapore Biennale 2016

Titarubi. History Repeats Itself, 2016; Gold-plated nutmeg, copper-plated wood, nickel-plated wood, burnt wood, sampan, wood, aluminium, copper, soil, light and nutmeg perfume; Dimensions variable. Image courtesy of Singapore Art Museum.

There is no shortage of mirrors and maps in the fifth iteration of the Singapore Biennale. Glass mirrors in Harumi Yukutake’s Paracosmos (2016) curve around the main circular stairwell of the Singapore Art Museum, dazzling the eye as light hits their multiple reflective surfaces. Dozens of mirrors appear in their reflections; dozens more yet, to the power of infinity, show up in the reflections of their reflections. In[…..]

Sarah Crowner: Touch the Tile

Sarah Crowner. Beetle in the Leaves, 2016; Installation view.

From our friends at Guernica, today we bring you an interview with artist Sarah Crowner. Author Elizabeth Karp-Evans and Crowner discuss her show at MASS MoCA (open through February 2017), her art-historical influences, craft, and constructivism. Crowner states, “I think that art history can be a medium that can be manipulated in the same way that a material, like paint or clay, can be.” This article[…..]

Coille Hooven: Tell it by Heart at the Museum of Arts and Design, New York

Installation view of Coille Hooven: Tell It By Heart.
Photo by Jenna Bascom. Courtesy of the Museum of Arts and Design.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Lux Yuting Bai reviews Coille Hooven’s Tell It By Heart at the Museum of Arts and Design, New York. Focusing on material-based[…..]

Fan Mail: Kyle J. Bauer

Kyle J. Bauer. mooring, 2013; wood, steel cable, fiberglass, slip-cast porcelain, paint; 98 in. x 108 in. x 24 in. Courtesy of the Artist.

The sculptures of Kyle J. Bauer have a gamelike quality, a sense of earnest play rarely seen in work made with such formalist rigor. Drawing from maritime navigation and the idea of façade—both as the decorative facing of a building and as a superficial or false front—for primary inspiration, Bauer mixes bright colors and found materials to produce works that feel vaguely familiar, as if[…..]

From the Archives – Beverly Buchanan: Ruins and Rituals at the Brooklyn Museum

Beverly Buchanan. Low Country House, n.d.; wood, 17.75 x 16.75 x 13.25 in. ©Estate of Beverly Buchanan. Courtesy of Jane Bridges and the Brooklyn Museum. Photo: Adam Reich.

On Saturday, millions of women around the world marched to protect their rights and make their voices heard for equality, pouring into the streets and carrying signs with messages both personal and political. In light of the energy their work manifested, today we bring you Lia Wilson’s review of Beverly Buchanan’s exhibition at the Brooklyn museum; unlike the signs and banners from #WomensMarch—many of which are now[…..]