Reviews

Monir Shahroudy Farmanfarmaian: Lineages

Monir Shahroudy Farmanfarmaian. Fourth Family: Decagon, 2013; Installation view, mirror, oil painting behind glass and PVC; 48 x 48 x 12 inches. Courtesy of the SCAD Museum of Art. Photo: John McKinnon.

In a darkened hallway between two galleries in the Savannah College of Art and Design Museum of Art are several brightly lit works by Monir Shahroudy Farmanfarmaian. In this solo exhibition, titled Lineages, a series of Farmanfarmaian’s elaborate mirror sculptures are installed across from a number of her intricate geometric drawings, revealing an astute conflation of Western abstraction and traditional folk art of her native[…..]

Unflinching Facades: New Work by Carolina Borja and Jesse Matthew Petersen at Soo Visual Arts Center

Carolina Borja. Lucha, 2017; collage and acrylic; 12 x 10 in. Courtesy of Soo Visual Arts Center, Minneapolis.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Camille Erickson reviews Unflinching Facades: New Work by Carolina Borja and Jesse Matthew Petersen at Soo Visual Arts Center in Minneapolis. In[…..]

Gary Simmons: Recapturing Memories of the Black Ark at Southern Exposure

Gary Simmons. Recapturing Memories of the Black Ark, 2014; installation view, Southern Exposure, San Francisco, 2017. Courtesy of the Artist and Southern Exposure, San Francisco. Photo: Shahrzade Ehya.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows. A visitor attending the show during regular gallery hours on any given day will face a work of installation art: An impressive tower of speakers sits, along with a boxy old television, on a[…..]

D30 Ragnar Þórisson: Human Disguise at Reykjavík Art Museum

Ragnar Þórisson. Untitled, 2017; oil on canvas; 200 x 170 cm. Courtesy of Reykjavík Art Museum.

The Reykjavík Art Museum’s Gallery-D is dedicated to showcasing the work of Icelandic artists who have never mounted a solo exhibition in any of the country’s major museums. D30 Ragnar Þórisson: Human Disguise, the 30th iteration of the series, presents Ragnar Þórisson’s body of psychologically evocative paintings that blur the lines between human experience and myth. These paintings portray states of mind and being with[…..]

Third Space: Shifting Conversations About Contemporary Art at the Birmingham Museum of Art

José Bedia. Mpangui jimagua (Twin Brothers), 2000; acrylic and conté on canvas with objects; 122 x 355 x 188 inches. Courtesy of the Artist and the Birmingham Museum of Art.

As university presidents, corporate CEOs, and political leaders on the left and right toss the terms “multiculturalism” and “postcolonial” around in speeches and promotional materials, I am reminded that these buzzwords of the new transnational order have resisted domestication and dilution through the sharp, thoughtful, uncomplacent writing of Homi K. Bhabha.[1] Bhabha’s recognition that cultures must be understood as complex intersections of multiple places, historical[…..]

Cynthia Daignault: The Pure Products of America Go Crazy at CAPITAL

Cynthia Daignault. 
Matrix, 2017 (detail); oil on linen; 11 x 12 in. Courtesy of the Artist and CAPITAL.

Cynthia Daignault is always confounding our ideas about the nature of painting—and asks if it has an essential nature at all. In her latest show, The Pure Products of America Go Crazy, at CAPITAL in San Francisco (a sort of return home for a prodigal daughter educated at Stanford), she has done it again. Daignault has placed seventy oil-on-linen paintings like dinner plates on six[…..]

Jeff Downer: Handsome Rewards

Jeff Downer. Handsome Rewards, 2017; Digital Print. Courtesy of Jeff Downer. Photo: Capture Photography Festival.

The artist ordered his friend an undying houseplant as a gift. To contextualize Handsome Rewards, Jeff Downer’s solo exhibition at Duplex, the artist shares this anecdote in his press release: “I found myself flipping through [a] merchandise catalogues…while walking it straight to the recycling bin. What caught my eye was something called a ‘resurrection plant.’ According to the ad, the plant can survive extreme dehydration[…..]