Installation

Red in View at the Whitney Museum of American Art

MPA , Entrance, 2014–2016; Pigmented inkjet print mounted on mat board and painted wood; 7 × 7 in. Courtesy of MPA and the Whitney Museum

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jasa McKenzie assesses Red in View at the Whitney Museum of American Art. Red in View by MPA aims to explore the potential[…..]

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum

From Generation to Generation: Inherited Memory and Contemporary Art, 2016; installation view, San Francisco, CA. Courtesy of the Contemporary Jewish Museum. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carlos Kong reviews From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum in San Francisco. Memories take[…..]

Jibade-Khalil Huffman: Kush Is My Cologne at Anat Ebgi

Jibade-Khalil Huffman. By The Author of Another Country and Nobody Knows My Name, 2017; transparencies in double light box; 35 x 31 x 6 1/8 in. Courtesy of Anat Ebgi. Photo: Michael Underwood.

Jibade-Khalil Huffman’s solo exhibition at Anat Ebgi, Kush Is My Cologne, lifts its title from a track on Gucci Mane’s 2009 major label debut, The State vs. Radric Davis. The allusion is one of many in Huffman’s exhibition that indicate his fixation with the popular nodes that drive contemporary cultural production, particularly, the profundity and cultural insistence of hip-hop in a world that often refuses[…..]

Tales of Our Time at the Solomon R. Guggenheim Museum

Sun Yuan and Peng Yu Can't Help Myself (2016) in Tales of Our Time at the Solomon R. Guggenheim, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Lux Yuting Bai assesses Tales of Our Time at the Solomon R. Guggenheim Museum. Launched by the Robert H.N. Ho Family Foundation[…..]

From the Archives – Vesna Pavlović: LOST ART at Zeitgeist Gallery

Vesna Pavlović. Video Still, May 25, 1979, Television, Belgrade. 2015. Endura metallic print. 20.5 x 14 inches. Image courtesy of the artist and Zeitgeist Gallery (Nashville, TN).

“Instability, fragmentation, and brokenness”—these words could easily refer to the current global political situation, yet here they specify the 20th-century regime of Josep Broz Tito, a Yugoslavian revolutionary whose later presidential reign was marked by repression and human-rights violations. In street protests, as in galleries and museums, citizens around the world are turning to imaginative expressions of their fears and objections, and we are reminded of the[…..]

An Atlas of Mirrors: Singapore Biennale 2016

Titarubi. History Repeats Itself, 2016; Gold-plated nutmeg, copper-plated wood, nickel-plated wood, burnt wood, sampan, wood, aluminium, copper, soil, light and nutmeg perfume; Dimensions variable. Image courtesy of Singapore Art Museum.

There is no shortage of mirrors and maps in the fifth iteration of the Singapore Biennale. Glass mirrors in Harumi Yukutake’s Paracosmos (2016) curve around the main circular stairwell of the Singapore Art Museum, dazzling the eye as light hits their multiple reflective surfaces. Dozens of mirrors appear in their reflections; dozens more yet, to the power of infinity, show up in the reflections of their reflections. In[…..]

Sarah Crowner: Touch the Tile

Sarah Crowner. Beetle in the Leaves, 2016; Installation view.

From our friends at Guernica, today we bring you an interview with artist Sarah Crowner. Author Elizabeth Karp-Evans and Crowner discuss her show at MASS MoCA (open through February 2017), her art-historical influences, craft, and constructivism. Crowner states, “I think that art history can be a medium that can be manipulated in the same way that a material, like paint or clay, can be.” This article[…..]