Conceptual

The Supreme Rifts… A Measured Propinquity at Marian Goodman Gallery

Niele Toroni. Andata E Ritorno (orange), 1991; installation of four canvases, easels – imprints of No 50 brush repeated at regular distances 30 cm; 39 1/2 x 39 1/2 x 1 1/8 in (each). Courtesy  of the Artist and Marian Goodman Gallery, London. Photo: Thierry Bal.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Andreas Petrossiants reviews The Supreme Rifts… A Measured Propinquity at Marian Goodman Gallery in London. In Michael Newman’s poetic text accompanying the[…..]

Issues of Power: Resilience and Healing

Juan Roberto Diago. Aché Pa’ Los Míos [Good Vibes for My People], 1999, mixed media on burlap. Courtesy of The Cooper Gallery.

Today from our friends at Big Red & Shiny, we bring you a conversation between artist Chanel Thervil and artist and curator Silví Naçí. They discuss artist Juan Roberto Diago’s first retrospective, curated by Alejandro de la Fuente at the Cooper Gallery. Naci parallels the exploration of diasporic Africans in colonized Cuba in Diago’s work with the current political state of the U.S., saying, “…during a crucial moment in U.S.[…..]

Meat Is Murder

Soukaina Joual. Halal, 2016; light panel; 13.7 x 13.2 in.

Today from our friends at REORIENT we bring you Zöe Hu’s article on artist Soukaina Joual. Hu says of Joual’s exploration of meat as a subject, “Meat’s link to violence is an easily made one, and it only takes the viewer another thoughtless step forward to affix the MENA region onto that relationship; but Joual avoids the obvious constellation of meat–violence–Arab world, instead tinkering with a[…..]

Ho Tzu Nyen

Today, from our friends at Kadist, we bring you a video interview with Singapore-based artist Ho Tzu Nyen. The artist speaks about their interest in transience, metamorphosis, migration, and the correlation between renaissance painting and their contemporary video work. He reflects on his interest in tracking clouds, stating “this, for me, is a way of tracking an art-historical motif which migrates from the East to the West or[…..]

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum

From Generation to Generation: Inherited Memory and Contemporary Art, 2016; installation view, San Francisco, CA. Courtesy of the Contemporary Jewish Museum. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carlos Kong reviews From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum in San Francisco. Memories take[…..]

This Is Not Iranian

Anahita Razmi. Middle East Coast West Coast, 2014 (video still); HD Video; 23:04.

From our friends at REORIENT, today we bring you Joobin Bekhrad’s conversation with artist Anahita Razmi. Bekhrad and Razmi discuss identity, underwear, and the Pakyan. Razmi states, “I like the idea than an identity is something that one constructs, something that is at all times flexible and changing.” This article was originally published January 3, 2017. What was I doing near Trafalgar Square? I don’t know.[…..]

Curating in an Era of Change: In Conversation With E. Jane

E. Jane. Notes on softness, 2016, NewHive site.

Today from our friends at ARTS.BLACK we bring you the third installment of author Ashley Stull Meyers’ series Curating in an Era of Change.  In this iteration of the work, Meyers interviews conceptual artist E. Jane. They discuss the internet as exhibition space, academia, and navigating the art world—and the world at large—as Black women. E. Jane states, “I think the social media feed has some Utopian possibility[…..]