Articles

Talking About 100 Days Action, Part 1

Jenifer K Wofford. No Scrubs, 2017; participatory action, performed on January 21, 2017, at the Women's Marches in San Francisco and Oakland, as part of 100 Days Action. Courtesy of 100.

On November 8, 2016, Donald J. Trump reached the nation’s highest political office after a long and brutal election cycle. In response, artists throughout the United States mobilized to resist regressive policy changes that would set progressive efforts back by at least fifty years. Writer and activist Ingrid Rojas Contreras collaborated with numerous Bay Area artists to form 100 Days Action, a creative affiliation described as[…..]

Refusing to Be Fed

Screenshot, @age103, Instagram post.

From our sister publication Art Practical, today we bring you Vivian Sming’s article from issue 8.3: Art can’t do anything if we don’t. The issue takes its name from Sming’s article, where she states, “Raising these questions is not to say that we don’t need art, or that art can’t do anything at all, but rather that art is not exceptional. Art can’t do anything[…..]

Richard Mosse: Incoming at the Barbican

Richard Mosse in collaboration with Trevor Tweeten and Ben Frost. Incoming, 2017; Installation view. The Curve, Barbican Centre, 15 Feb - 23 April 2017. Photo: Tristan Fewings / Getty images

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Eva Mak reviews Richard Mosse: Incoming at the Barbican in London. No matter race, age, origin, or legal status, while the human[…..]

Gary Simmons: Recapturing Memories of the Black Ark at Southern Exposure

Gary Simmons. Recapturing Memories of the Black Ark, 2014; installation view, Southern Exposure, San Francisco, 2017. Courtesy of the Artist and Southern Exposure, San Francisco. Photo: Shahrzade Ehya.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows. A visitor attending the show during regular gallery hours on any given day will face a work of installation art: An impressive tower of speakers sits, along with a boxy old television, on a[…..]

Third Space: Shifting Conversations About Contemporary Art at the Birmingham Museum of Art

José Bedia. Mpangui jimagua (Twin Brothers), 2000; acrylic and conté on canvas with objects; 122 x 355 x 188 inches. Courtesy of the Artist and the Birmingham Museum of Art.

As university presidents, corporate CEOs, and political leaders on the left and right toss the terms “multiculturalism” and “postcolonial” around in speeches and promotional materials, I am reminded that these buzzwords of the new transnational order have resisted domestication and dilution through the sharp, thoughtful, uncomplacent writing of Homi K. Bhabha.[1] Bhabha’s recognition that cultures must be understood as complex intersections of multiple places, historical[…..]

Help Desk: Recommendations for References

Gerda Scheepers. Taras Bookies, 2009;
Installation View at Sprüth Magers Berlin.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I am often torn when applying for jobs, residencies, and grants when it comes to the references section. Is it better to list the names of people you do not know[…..]

The Birth of the Author

Rebecca Belmore. Ayumee-aawach Oomama-mowen: Speaking to Their Mother, 1991; Presented by the Walter Phillips Gallery as part of the exhibition Bureau de Change, July 12–September 28, 2008. Banff National Park, Johnsons Lake, July 26th, 2008; Courtesy of the Walter Phillips Gallery, Banff Centre. Photo: Sarah Ciurysek.

Today from our sister publication Art Practical we bring you Andrew Berardini’s article published in issue 8.3: Art can’t do anything if we don’t. Berardini finds the place where art and self-expression exist in the face of illicit power. He states, “If it does nothing else, art gives us authorship of our experience. Layers of meaning and exchange, the nuances of aesthetics and economics, and the complexity[…..]