Articles

James Franco & Kalup Linzy: Collaborations at Bob Rauschenberg Gallery

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Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews James Franco & Kalup Linzy: Collaborations at Bob Rauschenberg Gallery in Fort Meyers. Since General Hospital brought the two together in 2010,[…..]

Adrian Piper at Hamburger Bahnhof

Upon entering the grand central hall within Berlin’s Hamburger Bahnhof museum, the visitor views Adrian Piper’s exhibition from a distance. From this vantage point, The Probable Trust Registry: The Rules of the Game #1–3, an installation and performance piece, resembles the sparsely furnished lobby of a prosperous but unidentifiable corporate institution. Deceptively simple at first glance, The Probable Trust Registry is in fact a total[…..]

Southern Accent: Seeking the American South in Contemporary Art

Barkley L. Hendricks. Down Home Taste, 1971; oil and linen on acrylic; 48 x 48 in. Courtesy of the Artist and the Office of the Dean of Students, Cornell University (Ithaca, NY).

In her 1960 essay “Some Aspects of the Grotesque in Southern Fiction,” writer Flannery O’Connor states, “Anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.”[1] Aware of the deeply moralizing labels and qualifiers imposed upon her work and career-long subject of the South,[…..]

Odd Jobs: Neha Choksi

Neha Choksi. The Sun’s Rehearsal, 2016; performance still and installation view (2016) at Carriageworks for the 20th Biennale of Sydney. Courtesy of the artist and Project 88, Mumbai. Photo: Neha Choksi.

Welcome back to Odd Jobs, an exploration of artists’ varied and untraditional career arcs. For this edition, I spoke with Neha Choksi in the Otis College of Art and Design cafeteria. Choksi was born in 1973 in Belleville, New Jersey, raised in Bombay, and currently lives and works in Los Angeles and Bombay. She employs sculpture, video, photography, sound, painting, and performance in her work,[…..]

To All the Futures We Can Imagine

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Today, from our sister publication Art Practical, we bring you Jen Delos Reyes’s article from issue 8.3: Art can’t do anything if we don’t. Delos Reyes ruminates on the power of letter writing and the role letters have played in her personal and professional life. She ends this piece with the letter she would have sent to incoming art students, stating, “We need artists to understand social[…..]

M/D: Coda at SFMOMA

Mickalene Thomas, Sista Sista Lady Blue, 2007; chromogenic print; 40 3/8 x 48 1/2 in. (102.55 x 123.19 cm); Collection SFMOMA, gift of Campari USA; © Mickalene Thomas / Artists Rights Society (ARS), New York; photo: Katherine Du Tiel

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carolina Magis Weinberg reviews M/D: Coda at SFMOMA in San Francisco. In the current political moment, in which women and people of[…..]

Fan Mail: Kristin Cammermeyer

Kristin Cammermeyer. Accumulation at 12th & Marion, 2015 (detail); site-specific mixed-media installation produced for stop-motion video at Hedreen Gallery, Seattle University; dimensions variable. Courtesy of the Artist.

Kristin Cammermeyer’s works are tributes to becoming. They render a sense that completion is an arbitrary concept, that anything that ends has more to do with one’s perspective than its inherent finitude. Her installations are constantly in flux, resulting either from her construction and deconstruction of the spaces they inhabit or from the multimedia videos that become both artifacts of the physical pieces and digital[…..]