Articles

Spotlight: C&

Kemang Wa Lehulere. Installation view Kemang Wa Lehulere: Bird Song at Deutsche Bank KunstHalle, 2017. © Kemang Wa Lehulere, Sophia Lehulere, Gladys Mgudlandlu. Courtesy of STEVENSON Cape Town and Johannesburg. Photo: Mathias Schormann.

This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. Wrapping up our week with C&, today we bring you the final selection from editor-in-chief Yvette Mutumba: an excerpt from an interview with artist Kemang Wa Lehulere about his exhibition Bird Song, which at the time was on view at Deutsche Bank KunstHalle in Berlin. This text was originally published on March[…..]

Spotlight: C&

Euridice Kala. A Conversation I, Entre-de-Lado, 2013. Courtesy of the Artist and C&.

This summer, Daily Serving is shining a light on some arts publications that we admire. Today’s interview from C& is with Mozambican artist Euridice Kala: “Art-making is difficult anywhere, and especially so on the African continent. My first instinct is to be an artist and to be as carefree as possible; however, when you are a young Black woman from Africa (excepting perhaps South Africa and Nigeria), it is really,[…..]

Spotlight: C&

Tabita Rezaire. Portrait from Cunty Party. Courtesy of the Artist and C&.

Continuing our week highlighting the work of C&, today we bring you An Paenhuysen’s interview with French-Guyanese-Danish media artist Tabita Rezaire, who talks about decolonization, health, politics, collaboration, and the West’s discovery of African art. This conversation was originally published on July 5, 2016. An Paenhuysen: You call yourself a “warrior–healer.” Could you tell us a little about the wounds you’re healing with your art? Tabita[…..]

Spotlight: C&

Taus Makhacheva. Delinking, 2011; three color photographs, installation view at Sharjah Biennial 11. Courtesy of the Artist, Laura Bulian Gallery, and Sharjah Art Foundation.

This summer, Daily Serving is shining a light on some publications that broaden our view of contemporary art, and this week we’re focusing on C&. Today we bring you an interview with Duke University scholar Walter Mignolo, who discusses the concept of decolonial aesthetics. This conversation was originally published on August 7, 2014. C&: Decolonial aesthetics is a concept you have developed in the process of your reflections and work. How[…..]

Spotlight: C&

Zina Saro-Wiwa. The Invisible Man, 2015. Courtesy of the artist and C&.

This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. We’re spending this week with C&, “a dynamic space for the reflection on and linking together of ideas, discourse, and information on contemporary art practice from diverse African perspectives.” Today’s selection is an interview between curator Okwui Enwezor and collector Artur Walther, who discuss the past and future of African photography.[…..]

Spotlight: Contemptorary

Image courtesy of Contemptorary.

Wrapping up our week with contemptorary, today we bring you Jared Sexton’s “critical overview of the conversations surrounding the 2017 Whitney Biennial.” Co-founders Eunsong Kim and Gelare Khoshgozaran note: “In ‘The Rage: Some Closing Comments on Open Casket,’ Sexton interrogates the complicated psycho-political motivations driving the often polarizing debate concerning artists and their objects, and offers questions that refuse to simplify or foreclose this difficult discourse.” This[…..]

Spotlight: Contemptorary

Image courtesy of Contemptorary.

This week we’re highlighting the work of our friends at contemptorary, and today Gelare Khoshgozaran’s “Dear Colleagues: Dead or Alive” takes up the arts community, drawing necessary parallels between art and political movements. How have we spoken to each other? How will we continue speaking to each other? This essay was originally published on February 28, 2017. 1. Despite my disdain for predictability and repetitiveness, I[…..]