January, 2012

#Hashtags: The Culture of the Copy


#Hashtags: Viral Thoughts on Politics, Arts, and Culture #Hashtags provides a platform for longer reconsiderations of artworks and art practices outside of the review format and in new contexts. Please send queries and/or ideas for future to hashtags@dailyserving.com. “Cameras are the antidote and the disease, a means of appropriating reality and of making it obsolete.” – Susan Sontag In her 1977 essay, “The Image-World,” Susan[…..]

Help Desk: Not Enough/Too Much?


Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Some galleries provide artists with information on who is purchasing their artwork…others do not. What’s up with that? I feel like smaller galleries are super paranoid of artists selling out from under them while[…..]

From the DS Archives: Innovations in Film

Since the invention of the motion pictures, films have captivated their viewers. Today we pay tribute to the innovation of precedents such as Stan VanDerBeek, and look forward to the innovators of now (who have some seriously big shoes to fill, ones that are often left completely empty). The 2012 Sundance Film Festival, New Frontier, opened in Park City, Utah yesterday, and features two of[…..]

Memoria (Memory): Bibiana Suárez at Hyde Park Art Center

(L t R): Bibiana Suárez. Aves raras (mexicanos) no. 1 / Strange Birds (Mexicans) no. 1, 2005-2011; archival inkjet print on aluminum panel (map courtesy of the University of Chicago’s Special Collections); 24 x 24 in.  Bibiana Suárez. Aves raras (mexicanos) no. 2 / Strange Birds (Mexicans) no. 2, 2005-2011; archival inkjet print (map courtesy of the University of Chicago’s Special Collections); 24 x 24 in.

2012 has arrived and it can mean only one thing: the apocalypse. Will the End Times be ushered in by the Mesoamerican Long Count Calendar reaching its end date? We can’t be sure until late December! What has become painfully certain, however, is that we are in an election year. And, while the economy looms large on the minds of most Americans, immigration is not[…..]

Burnt Church and Other Sacrilege


L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley I have a checkered brown and white shirt with sleeves and a collar that looks like something Ashton Kutcher would have worn in That ’70s Show. I still wear it, though I bought it at a thrift store when I was in high school. I had written a play about U.S. college[…..]

Kienholz: The Signs of the Times

When Edward Kienholz died of a heart attack aged 65 in 1996, his burial arrangement could have been one of his own installations: his embalmed body was stuck into the front seat of an old brown Packard coupe; he drove off into the good night with a dollar and a deck of cards in his pocket, accompanied by the ashes of his dog in the[…..]

“Out, damn’d spot!”: Damien Hirst’s latest strike

When Lady Macbeth said “Out, damn’d spot!” she was referring to stains of blood, not brightly-colored enamel paint, but I’m sure there are more than a few art critics out there who echo her thought this month. The reason? What to make of “Damien Hirst: The Complete Spot Paintings 1986–2011”, now on view at eleven Gagosian galleries worldwide. The spots at Gagosian LA range from[…..]