Richard Mosse: Infrared photographs of war-torn Congo

Today’s feature is brought to you by our friends at Flavorwire, where speaks to Richard Mosse about his infrared photographs of war-torn Congo.

Men Of Good Fortune, North Kivu, Eastern Congo, 2011. Photo credit: Richard Mosse

A military village emerges from the hills of hot pink. A soldier lurks in a crimson jungle. A man with a face erupted in scar tissue from a war trauma pauses for a portrait. Photographer Richard Mosse has captured the Congo using Kodak Aerochrome, a discontinued military surveillance film used to detect an invisible spectrum of infrared light, warping the hues of green into a landscape of lavender and revealing much more than an image shot on typical film would.

The Ireland-born photographer’s striking new series Infra — on view through December 23 at the Jack Shainman Gallery in New York City — documents a land of turbulent, shifting politics, systematic massacres, and unrelenting physical and sexual violence. These photographs are devastating in their reality and hauntingly beautiful in their creative form.

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