Fan Mail: Andreas Templin selects two notable artists each month from the submissions we receive to be featured in our series, Fan Mail. For a chance to have your work appear below, with an article written by one of the DailyServing contributors, please submit a link to your website to, subject: Fan Mail. You could be the next artist in the series! (We will try to contact chosen artists prior to publication, but please be sure to check the site everyday.)

Andreas Templin‘s multi-dimensional body of work includes sculpture, video, installation, photography, and urban interventions. His diverse practice is guided by a critical approach to the making of art; each work is the outcome of an insightful process that examines culture from a philosophical point of view. As the artist states, “The adult individual consumer is faced with the creative possibility of reinventing his identity each day, with the wide variety of enhancement products now available for use. The artist, too, must move with the times, and avoid being a fixed label, but use everything available to him.”

Templin’s technically simplistic, and somewhat disconcerting, video work, As if to nothing (9:54), consists of the constant display of earth’s qualitative statistical data, culled from governmental sources, accompanied by a recording of Anton Bruckner’s 7th Symphony. The emotional depth of the audio heightens the impact and immediacy of the dreary data display. Selected statistics include a tally of the world’s population, military expenditures, infectious diseases, and species extinct. The environmental data set “Ocean Oil Spills (tons)” holds particular poignancy in our current cultural moment.

This type of cultural insight, and perhaps critique, appears in Templin’s vinyl record album, Andreas Templin plays Bach, a recording of the artist whistling Bach throughout the city streets. This more playful form of artistic commentary was born out of the artist’s distaste with the “clean and highly competitive virtuoso-recordings” that exist of the German composer, and was recorded in the red light district of Amsterdam. The album cover was created by classical music photographer Felix Broede.

Templin, who lives and works in Berlin, is currently participating in the group show Consume at Exit Art in New York. The exhibition, which is a project of SEA (Social Environmental Aesthetics), investigates world food production, consummation, distribution, and waste. Consume will remain on view until August 28th.