submit | advertise | about | contact

« Prefab | Main | Lawrence Weiner »

March 23, 2008
Robert Pruitt
pruitt_robert-03-23-08.jpg

Houston-based artist Robert Pruitt makes beautifully crafted work, but his exceptional craftsmanship is only a tool for exploring the ways in which African Americans have been represented throughout history. An exhibition of Pruitt's new work, titled Two Tears in a Bucket: Considering The Alcubierre Metric, is currently on display at Mary Goldman Gallery in Los Angeles. The exhibition presents a series portraits on Kraft paper. Predominately rendered in orange and black, the portraits exude an introspective confidence, but they also suggest a disturbing coalescing of misrepresentation. In Pruitt's work, Historic imagery merges seamless with contemporary imagery.

The Alcubierre Metric, also known as Alcubierre Drive or, in Start Trek terms, "warp drive," is a mathematical speculation. Alcubierre Metric proposes a measure of space time in which you can travel faster than light, something that Pruitt hopes to do through his current work. Speeding up the dialogue surrounding representations of African Americans may, hypothetically, launch us into the future.

Pruitt is a member of Houston collective Otabenga Jones & Associates, which participated in the 2006 Whitney Biennial. Pruitt has also shown at the Studio Museum in Harlem and the Contemporary Arts Museum in Houston. Two Tears in a Bucket opened on March 15thand runs through April 19th.

Posted by Catherine Wagley at March 23, 2008 12:00 AM | Permalink | E-mail This

Post an item:

Name:

Email Address:

URL:

Please prove you're human (needed to reduce spam):

Remember personal info?

Comments: (HTML tags are OK)

CONTRIBUTORS
The DS Team

INTERVIEWS
Michael Salter
Theresa Sapergia
Package Deals
Paul "Presser" Towner
Grant Barnhart


ARTICLES
Susan Meyer: Together
Tokion Magazine's Fifth Creativity Now Conference- May 17-18, 2008
The Constructed Image
Epistemology of Polka Dots: Evan Holloway responds to James Turrell
Destroying Prettiness: Wangechi Mutu and Kara Walker


REVIEWS
Physical Keepsakes: Y.Z. Kami and Sally Mann at Gagosian
You Are Not Here, You Are Still There and Think You Are Here


CATEGORIES
Art Spaces
Articles
Collage
Conceptual
Conference
Curators
Design
Digital Media
Drawing
Exhibitions
Fashion
Fiber Arts
Illustration
Installation
Interviews
Mixed Media
Neon
New Media
Painting
Performance
Photography
Print
Reviews
Sculpture
Sound Art
Street Art / Public Art
Text
Video / Film


ARCHIVES
Complete archive
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006


DISCUSSION
"To get in contact with Kori Newkirk I would shoot an email to LAXART (http://www.laxart.org/) they are hosting his current exhibition. good luck."
--seth

"My name is Jane Dunn. I was a classmate of Kori Newkirk's, in fact we graduated together in 1988 from Cortland Junior-Senior High School in Cortland, NY. I was just thinking about him as he is an old friend of mine and would VERY MUCH like to get in touch with him. Please help if you can; it would be very much appreciated. Thank you! :) Sincerely, Jane Dunn email at dunnjanee28@yahoo.com"
--Jane Dunn

"I cannot say that Bill Henson's work is pornographic any more than the work of Sally Mann, Jock Sturges or Irina Ionesco. But like all of these artists his work is obviously sexually suggestive and intentionally provocative. Anyone who creates images of naked children in erotic poses who claims to be an innocent victim of puritanical fanaticism when their works are challenged and condemned are playing the fool, plain and simple. I am aware of the fact that children are sexual creatures and I do not personally have a problem with child nudity, but as sexual animals living in a domesticated world there simply is no way in which one can seriously expect universal positivity when utilizing such aspects artistically. Nor should one view themselves as enlightened among sheep either. There is nothing ignorant in finding public provocation offensive and those who believe that using children in such a manner is socially unhealthy are far from delusional. As an artist myself I find great hypocrisy in much of how children are viewed and used artistically and I also recognize that central to the argument of why such works are important is artistic ego, not the weak reasoning which centers on the opinions of biased groups and gallery owners. Sorry to be so contrary but I feel my opinion to be valid on this matter. "
--christopher


SUBSCRIBE
RSS feed

(Add your e-mail)
sponsorships







Copyright 2006 DailyServing.com. All rights reserved. [Site coded by Justin Chappell.]