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February 17, 2008
The Broad Contemporary Art Museum
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The Broad Contemporary Art Museum officially opened to the public on February 16th. The museum is the ambitious new incarnation of the Broad Foundation's mission to improve public education. Its opening on the campus of the Los Angeles Museum of Art is part of LACMA's plan to expand and transform its facilities and programming. Now, with the addition of the Broad Museum, LACMA has vastly improved its contemporary art offering.

Eli and Edythe Broad began the Broad Foundation, an organization bent on bettering education, in 1984. The Foundation aimed to keep the Broad's expansive collection of contemporary art in the public domain. Now, with the opening of BCAM, they have found a way to permanently exhibit their Warhols, Koons, and Hirsts.

Designed by Renzo Piano, BCAM is an angular and flamboyant building distinguished from the rest of the LACMA campus by its rows of red pillars and its three-story escalator. It houses work that has rarely, if ever, been available to the public outside of the gallery setting. With few exceptions, each featured artist gets his or her own room. When entering the third floor galleries, a viewer first encounters a room full of some of Jasper Johns' most intriguing paintings, followed by room of gutsy Rauschenberg work, and then a room of clean-cut Elsworth Kelly paintings. Cindy Sherman has a vast room in which her more gory images are hung salon style and her untitled film stills occupy glass cases in the middle of the space. Damien Hirst has two galleries all to himself in which include work from his recent 'Superstitions' series, and Richard Serra's winding steel sculpture dominate the first floor. BCAM present an incredible array of contemporary art, giving more space to 20th and 21st century art at one time than many museums ever give.

Posted by Catherine Wagley at February 17, 2008 12:00 AM | Permalink | E-mail This

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"To get in contact with Kori Newkirk I would shoot an email to LAXART (http://www.laxart.org/) they are hosting his current exhibition. good luck."
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"My name is Jane Dunn. I was a classmate of Kori Newkirk's, in fact we graduated together in 1988 from Cortland Junior-Senior High School in Cortland, NY. I was just thinking about him as he is an old friend of mine and would VERY MUCH like to get in touch with him. Please help if you can; it would be very much appreciated. Thank you! :) Sincerely, Jane Dunn email at dunnjanee28@yahoo.com"
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"I cannot say that Bill Henson's work is pornographic any more than the work of Sally Mann, Jock Sturges or Irina Ionesco. But like all of these artists his work is obviously sexually suggestive and intentionally provocative. Anyone who creates images of naked children in erotic poses who claims to be an innocent victim of puritanical fanaticism when their works are challenged and condemned are playing the fool, plain and simple. I am aware of the fact that children are sexual creatures and I do not personally have a problem with child nudity, but as sexual animals living in a domesticated world there simply is no way in which one can seriously expect universal positivity when utilizing such aspects artistically. Nor should one view themselves as enlightened among sheep either. There is nothing ignorant in finding public provocation offensive and those who believe that using children in such a manner is socially unhealthy are far from delusional. As an artist myself I find great hypocrisy in much of how children are viewed and used artistically and I also recognize that central to the argument of why such works are important is artistic ego, not the weak reasoning which centers on the opinions of biased groups and gallery owners. Sorry to be so contrary but I feel my opinion to be valid on this matter. "
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