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October 22, 2007
Folkert de Jong
Folkert-De-Jong-10-23-07.jpg

Dutch artist Folkert de Jong is currently exhibiting in his first New York solo exhibition "Les Saltimbanques," with the James Cohan Gallery. Since attending the Rijksakademie for Visual Arts in Amsterdam, the artist has reached international acclaim for his figurative sculptures that often depict historical scenes which are manipulated to reveal both humor and the grotesque simultaneously. Through using the material of industrial Styrofoam and polyurethane foam that artist is able to sculpt large crude works, whose material handling further underscores his investigation of both a historical and contemporary landscape. For his current exhibition, the artist has departed from his previous 'pseudo monuments' and has taken a more subdued approach to render his subject of the Harlequin. De Jong's characters are influenced from Picasso's Rose Period works, with particular references to Picasso's "Family of Saltimbanques" (1905). Of his work, the artist has stated, "With my life-size, figurative sculptural installations I want the public to become aware of the mechanism of sublime emotion, and how much we are being manipulated by mass media with this mechanism in order to influence our critical opinion."

De Jong was born in the Netherlands in 1972. He co-founded Space For Artists in Amsterdam, and in 2003, was a finalist for the Prix de Rome for sculpture. The artist has recently completed the exhibitions "Der Falsche Prophet", Peres Projects, Berlin, "Gott Mit Uns", Lever House, New York and "Medusa's First Move: The Council", Chisenhale Gallery, London.

Posted by Seth Curcio at October 22, 2007 12:00 AM | Permalink | E-mail This

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These are great! -but why is it so hot right now to use pink and blue Styrofoam in art. I see this shit everywhere!

---------------------------------------------------------- Posted by: Mike | October 22, 2007 10:00 AM

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"I cannot say that Bill Henson's work is pornographic any more than the work of Sally Mann, Jock Sturges or Irina Ionesco. But like all of these artists his work is obviously sexually suggestive and intentionally provocative. Anyone who creates images of naked children in erotic poses who claims to be an innocent victim of puritanical fanaticism when their works are challenged and condemned are playing the fool, plain and simple. I am aware of the fact that children are sexual creatures and I do not personally have a problem with child nudity, but as sexual animals living in a domesticated world there simply is no way in which one can seriously expect universal positivity when utilizing such aspects artistically. Nor should one view themselves as enlightened among sheep either. There is nothing ignorant in finding public provocation offensive and those who believe that using children in such a manner is socially unhealthy are far from delusional. As an artist myself I find great hypocrisy in much of how children are viewed and used artistically and I also recognize that central to the argument of why such works are important is artistic ego, not the weak reasoning which centers on the opinions of biased groups and gallery owners. Sorry to be so contrary but I feel my opinion to be valid on this matter. "
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